{"id":11843,"date":"2025-09-29T09:28:38","date_gmt":"2025-09-29T09:28:38","guid":{"rendered":"https:\/\/institutfrancais.ro\/bucuresti\/?p=11843"},"modified":"2026-01-19T10:27:38","modified_gmt":"2026-01-19T10:27:38","slug":"lucie-douriaud","status":"publish","type":"post","link":"https:\/\/institutfrancais.ro\/bucuresti\/lucie-douriaud\/","title":{"rendered":"Lucie Douriaud"},"content":{"rendered":"\n<p>Reziden\u021b\u0103 la Cluj-Napoca \u00een perioada 29.09 \u2013 29.10.2025<\/p>\n\n\n\n<p>Organizat de&nbsp;<strong>Institutul Francez din Rom\u00e2nia<\/strong>, \u00een parteneriat cu&nbsp;<strong>Centrul Cultural Clujean<\/strong>, cu sprijinul&nbsp;<strong>Facult\u0103\u021bii de Geologie UBB Cluj<\/strong>.<\/p>\n\n\n\n<p>Proiect realizat cu sprijinul&nbsp;<strong>Institutului Francez<\/strong>&nbsp;din Paris \u0219i al&nbsp;<strong>Funda\u021biei Hippocr\u00e8ne<\/strong>.<\/p>\n\n\n\n<p>Cu reziden\u021ba sa la Centrul Cultural Clujean din Cluj-Napoca, Lucie Douriaud \u00ee\u0219i continu\u0103 explorarea ad\u00e2ncurilor p\u0103m\u00e2ntului printr-un sejur c\u00e2t mai aproape de materialitatea extractivismului. \u00cen continuarea lucr\u0103rilor&nbsp;<em>S(oil),&nbsp;<\/em>replic\u0103 a c\u00e2mpurilor petroliere din Texas, \u0219i&nbsp;<em>the Next Oil #1 \u0219i #2<\/em>, inspirate de cercet\u0103rile sale asupra p\u0103m\u00e2nturilor rare, artista a intuit c\u0103 Rom\u00e2nia, at\u00e2t pentru peisajele sale, c\u00e2t \u0219i pentru istoria \u00eendelungat\u0103 a exploat\u0103rii acestora, \u00eei va oferi un teren de cercetare fertil. Fidel\u0103 metodologiei sale de a alterna \u00eentre sc\u0103ri, ea a navigat \u00eentre micro \u0219i macro, de la laborator la min\u0103.<br>\u2003Prima parte a cercet\u0103rilor sale s-a desf\u0103\u0219urat la Universitatea Babe\u0219-Bolyai, gra\u021bie ospitalit\u0103\u021bii lui C\u0103lin Gabriel T\u0103ma\u0219, geolog, specialist \u00een minerale metalice. Fragmente de pietre lustruite \u2013 argint, covelit, bornit \u2013 au fost observate la microscop \u0219i fotografiate. \u00cen timp ce privirea \u0219tiin\u021bific\u0103 asupra acestor specimene se concentreaz\u0103 pe propriet\u0103\u021bile chimice, puritatea compozi\u021biei \u0219i structurii lor, ochiul artistului se opre\u0219te asupra imperfec\u021biunilor lor: pete de oxidare, amprente, resturi de r\u0103\u0219in\u0103 de manipulare, pic\u0103turi. Aceste varia\u021bii intense de texturi, materiale \u0219i forme au fost imortalizate prin fotografii microscopice \u0219i prin fotografii realizate cu iPhone-ul \u00een binoclu. \u00centre documentare \u0219i fotografia artistic\u0103, Lucie Douriaud \u00eentrez\u0103re\u0219te \u00een aceste cli\u0219ee poten\u021bialul plastic al imprim\u0103rii lor, pe baz\u0103 de cerneluri \u0219i suporturi metalice.<br>\u2003Aceste imagini sunt completate de un alt ansamblu, realizat pe baza colec\u021biilor Muzeului Jude\u021bean de Mineralogie din Baia Mare. Pietrele prezentate sunt remarcabile at\u00e2t pentru valoarea lor geologic\u0103, c\u00e2t \u0219i pentru valoarea lor financiar\u0103. Pe l\u00e2ng\u0103 fotografii, vizita la muzeu i-a permis artistei s\u0103-\u0219i aprofundeze studiul cristalografiei, select\u00e2nd diferite scheme din con\u021binutul pedagogic, ca at\u00e2tea compozi\u021bii \u00een devenire ale sculpturii.<br>\u2003Dup\u0103 aceast\u0103 ultra-m\u0103rire a materiei minerale, ea a putut s\u0103 urm\u0103reasc\u0103 originea acestora datorit\u0103 excursiilor. O prim\u0103 vizit\u0103 \u00eentr-o min\u0103 deschis\u0103 din Ro\u0219ia Poieni. Muntele este erodat f\u0103r\u0103 \u00eencetare pentru a produce cupru, transformat \u00een pulbere \u0219i trimis \u00een China. Artista a putut parcurge acest sit metalurgic, de la peisajul \u00een trepte s\u0103pat \u00een st\u00e2nc\u0103, p\u00e2n\u0103 la fundul minei, unde stagneaz\u0103 ap\u0103 albastr\u0103 oxidat\u0103, trec\u00e2nd prin sala plin\u0103 de bazine de transformare \u00een care minereul este adus la fierbere pentru a separa metalul. Acest itinerar \u00een inima ciclului de via\u021b\u0103 al materiei \u0219i al metamorfozelor sale nu numai c\u0103 aduce r\u0103spunsuri la enigmele pe care le ridic\u0103 opera sa prin analizarea produselor transformate, dar constituie \u0219i o experien\u021b\u0103 puternic\u0103 din punct de vedere emo\u021bional, datorit\u0103 densit\u0103\u021bii vizuale a texturilor, culorilor \u0219i reliefului. Departe de o fascina\u021bie morbid\u0103 pentru extractivism, observa\u021biile artistei sunt, dimpotriv\u0103, traversate de o con\u0219tiin\u021b\u0103 acut\u0103, tr\u0103it\u0103 aici fizic, a devast\u0103rii mediilor naturale. La c\u00e2\u021biva kilometri de min\u0103, lacul Geam\u0103na prime\u0219te apele uzate pretins depoluate printr-o supra\u00eenc\u0103rcare de Ph pentru a le regla aciditatea. Lucie Douriaud a putut observa amestecul nenatural dintre aceste ape albastre cristaline \u0219i cele ale lacului, de un negru intens din cauza suprasatur\u0103rii cu acizi. \u00cen ciuda culorilor str\u0103lucitoare de toamn\u0103 ale p\u0103durii din jur, locul este \u00eengrijor\u0103tor, sinistru din punct de vedere ecologic.<br>\u2003\u00cen continuarea excursiilor, artista a vizitat dou\u0103 pe\u0219teri, Pe\u0219tera Ur\u0219ilor \u0219i Pe\u0219tera cu Cristale din mina Farcu, precum \u0219i vechea min\u0103 de sare Salina Turda. Aici, natura este exploatat\u0103 nu pentru nevoile industriei, ci pentru turism sau agrement. \u00cen prima pe\u0219ter\u0103, trec\u00e2nd de la o camer\u0103 la alta, urm\u00e2nd meandrele cavit\u0103\u021bilor, ea se cufund\u0103 \u00een efectele de textur\u0103 \u0219i relief, sculptate de ap\u0103 \u0219i eroziune. \u00cen a doua pe\u0219ter\u0103 \u0219i \u00een vechea min\u0103 de sare, ea este captivat de tonurile ro\u0219ii sau translucide \u0219i de marmorarea blocurilor, t\u0103iate manual. Fotografiile fixeaz\u0103 stratific\u0103rile \u0219i contrastele percepute \u00een timpul acestor expedi\u021bii subterane.<br>\u2003\u00cen fiecare sear\u0103, artista transcriu cu creioane metalice pe h\u00e2rtie neagr\u0103 toate aceste stimuli vizuali, \u00een formate mici A6. Le amestec\u0103 cu numeroasele motive \u0219i detalii, geometrice \u0219i baroce, ale arhitecturii din Cluj, pe care le observ\u0103 \u0219i le noteaz\u0103 \u00een deplas\u0103rile sale zilnice, ini\u021biind astfel o serie de desene, premisele unor \u021bes\u0103turi viitoare.<\/p>\n\n\n\n<p class=\"has-text-align-right\">Andr\u00e9anne B\u00e9guin<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10081\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/ld_01.jpg\" alt=\"\" class=\"wp-image-10081\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10083\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/ld_02.jpg\" alt=\"\" class=\"wp-image-10083\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10085\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/ld_03.jpg\" alt=\"\" class=\"wp-image-10085\"\/><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10087\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/ld_04-768x1024.jpg\" alt=\"\" class=\"wp-image-10087\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10089\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/ld_05-768x1024.jpg\" alt=\"\" class=\"wp-image-10089\"\/><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10091\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/ld_06-768x1024.jpg\" alt=\"\" class=\"wp-image-10091\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10093\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/ld_07-683x1024.jpg\" alt=\"\" class=\"wp-image-10093\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10095\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/ld_08-768x1024.jpg\" alt=\"\" class=\"wp-image-10095\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10097\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/ld_09-683x1024.jpg\" alt=\"\" class=\"wp-image-10097\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10099\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/ld_10-768x1024.jpg\" alt=\"\" class=\"wp-image-10099\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10101\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/ld_11-768x1024.jpg\" alt=\"\" class=\"wp-image-10101\"\/><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10103\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/ld_12.jpg\" alt=\"\" class=\"wp-image-10103\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10105\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/ld_13.jpg\" alt=\"\" class=\"wp-image-10105\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10107\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/ld_14.jpg\" alt=\"\" class=\"wp-image-10107\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10109\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/ld_15.jpg\" alt=\"\" class=\"wp-image-10109\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10111\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/ld_16.jpg\" alt=\"\" class=\"wp-image-10111\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10113\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/ld_17.jpg\" alt=\"\" class=\"wp-image-10113\"\/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Reziden\u021b\u0103 la Cluj-Napoca \u00een perioada 29.09 \u2013 29.10.2025 Organizat de&nbsp;Institutul Francez din Rom\u00e2nia, \u00een parteneriat cu&nbsp;Centrul Cultural Clujean, cu sprijinul&nbsp;Facult\u0103\u021bii de Geologie UBB Cluj. Proiect realizat cu sprijinul&nbsp;Institutului Francez&nbsp;din Paris \u0219i al&nbsp;Funda\u021biei Hippocr\u00e8ne. Cu reziden\u021ba sa la Centrul Cultural Clujean din Cluj-Napoca, Lucie Douriaud \u00ee\u0219i continu\u0103 explorarea ad\u00e2ncurilor p\u0103m\u00e2ntului printr-un sejur c\u00e2t mai aproape de [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":11832,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[414],"tags":[],"class_list":["post-11843","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezindeti-2025"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/posts\/11843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/comments?post=11843"}],"version-history":[{"count":2,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/posts\/11843\/revisions"}],"predecessor-version":[{"id":11985,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/posts\/11843\/revisions\/11985"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/media\/11832"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/media?parent=11843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/categories?post=11843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/tags?post=11843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}