{"id":11948,"date":"2025-07-28T12:34:59","date_gmt":"2025-07-28T12:34:59","guid":{"rendered":"https:\/\/institutfrancais.ro\/bucuresti\/?p=11948"},"modified":"2026-01-19T13:05:25","modified_gmt":"2026-01-19T13:05:25","slug":"josephine-topolanski","status":"publish","type":"post","link":"https:\/\/institutfrancais.ro\/bucuresti\/josephine-topolanski\/","title":{"rendered":"Jos\u00e9phine Topolanski"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Reziden\u021b\u0103 la Bucure\u0219ti \u00een perioada 28.07 \u2013 28.08.2025<\/h4>\n\n\n\n<p>Organizat de&nbsp;<strong>Institutul Francez din Rom\u00e2nia<\/strong>, \u00een parteneriat cu&nbsp;<strong>Reziden\u021ba9<\/strong>.<\/p>\n\n\n\n<p>Proiect realizat cu sprijinul&nbsp;<strong>Institutului Francez<\/strong>&nbsp;din Paris \u0219i al&nbsp;<strong>Funda\u021biei Hippocr\u00e8ne<\/strong>.<\/p>\n\n\n\n<p>\u201eAdev\u0103rurile sunt iluzii pe care am uitat c\u0103 sunt\u201d, spunea Nietzsche. Acela\u0219i filosof anun\u021ba moartea lui Dumnezeu, adic\u0103 sf\u00e2r\u0219itul valorilor absolute \u0219i al adev\u0103rurilor suprasensibile sub ofensiva progresului tehnico-\u0219tiin\u021bific. Ca construc\u021bie uman\u0103 care s-a uitat pe sine \u00eens\u0103\u0219i, adev\u0103rul este pentru Nietzsche o metafor\u0103 care a fost \u00eenghe\u021bat\u0103 cultural. Dac\u0103 ne baz\u0103m pe etimologia cuv\u00e2ntului \u201emetafor\u0103\u201d,&nbsp;<em>metaphora<\/em>, termenul desemneaz\u0103 un transport, inclusiv \u00een sensul s\u0103u literal: este ceea ce \u201educe dincolo\u201d. O farfurie zbur\u0103toare este, a\u0219adar, material \u0219i poetic, o metafor\u0103, at\u00e2t pentru c\u0103 este, concret, un mijloc de transport, c\u00e2t \u0219i pentru c\u0103 expresia opereaz\u0103 deplasarea abstract\u0103 a unui obiect (farfuria). C\u00e2nd c\u0103ut\u0103m pe internet formele de OZN (sau FAN) \u00eenregistrate, g\u0103sim triunghiuri, mingi de rugby sau chiar tic-tac-uri. Interesul Jos\u00e9phinei Topolanski pentru ufologie se datoreaz\u0103, \u00een mare parte, \u00een opinia mea, acestei puteri a metaforei. Artista scoate la iveal\u0103 instabilitatea regimurilor de adev\u0103ruri, deoarece orice lucru poate \u2013 prin prisma artistei \u2013 s\u0103 capete o origine extraterestr\u0103: abajururi, l\u0103mpi, radiatoare \u0219lefuite. Povestirile \u00ee\u0219i g\u0103sesc for\u021ba \u00een lucrul asupra formelor, materialelor, modalit\u0103\u021bilor de narare ufologic\u0103 care arunc\u0103 umbra lor asupra realit\u0103\u021bii noastre terestre, revelat\u0103 la r\u00e2ndul ei de artist\u0103 \u00een poten\u021bialul s\u0103u metaforic.<br><\/p>\n\n\n\n<p>Prima mas\u0103 ufologic\u0103 la care a participat Jos\u00e9phine Topolanski, \u00een 2020, a reunit o comunitate de amatori \u0219i exper\u021bi \u00een jurul unei videoconferin\u021be cu Dan Farca\u0219, figura principal\u0103 a ufologiei din Rom\u00e2nia \u0219i pre\u0219edinte al ASFAN (Asocia\u021bia pentru Studiul Fenomenelor Aerospatiale Neidentificate). \u00cen timpul reziden\u021bei sale la Residenta 9 (Bucure\u0219ti), artista \u0219i-a extins cercet\u0103rile asupra lui Farca\u0219 la contextul istoric rom\u00e2nesc, \u00een special la evolu\u021bia tratamentului politic al ufologilor \u00een timpul \u0219i dup\u0103 regimul Ceau\u0219escu. Abia dup\u0103 c\u0103derea comunismului \u00een 1989, ufologia a putut s\u0103 se dezvolte cu adev\u0103rat, sc\u0103p\u00e2nd de controlul strict al mass-media impus de Ceau\u0219escu. Prolificul Dan Farca\u0219 relateaz\u0103 \u00een special m\u0103rturiile aviatorilor de la sf\u00e2r\u0219itul anilor 1960, care descriu obiecte luminoase eliptice zbur\u00e2nd f\u0103r\u0103 zgomot, la viteze foarte mari \u0219i cu schimb\u0103ri de direc\u021bie imposibile pentru aeronautica clasic\u0103. \u00cen acest context istoric, marcat de cultul personalit\u0103\u021bii, supravegherea sporit\u0103 \u0219i explozia cenzurii, Farca\u0219 observ\u0103 c\u0103 aviatorii nu aveau niciun interes s\u0103 depun\u0103 m\u0103rturie. Dar ceea ce a atras-o pe Jos\u00e9phine Topolanski s\u0103 traverseze ufologia rom\u00e2neasc\u0103 se afl\u0103, de asemenea, \u00een leg\u0103turile \u021besute \u00eentre folclor, religie \u0219i fenomenele aeriene. Rezult\u0103 o reflec\u021bie original\u0103 a artistei asupra formelor vizuale pe care le iau credin\u021bele \u2013 ufologice, ortodoxe \u2013 \u00eenv\u0103luite \u00eentr-un aparat liturgic surprinz\u0103tor de similar: casul\u0103, altar, mitr\u0103\u2026 Referen\u021bialele colective (religioase sau fictive) devin realit\u0103\u021bi \u00eemp\u0103rt\u0103\u0219ite, iar moliciunile de protec\u021bie utilizate \u00een altarele liturgice se apropie, \u00een viziunea artistei, de pere\u021bii capitona\u021bi care tapeteaz\u0103 interiorul navelor spa\u021biale.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-right\">text de Elora Weill-Engerer<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/institutfrancais.ro\/bucuresti\/wp-content\/uploads\/sites\/2\/2025\/11\/jt-3-1024x682.jpg\" alt=\"\" class=\"wp-image-11967\" srcset=\"https:\/\/institutfrancais.ro\/bucuresti\/wp-content\/uploads\/sites\/2\/2025\/11\/jt-3-1024x682.jpg 1024w, https:\/\/institutfrancais.ro\/bucuresti\/wp-content\/uploads\/sites\/2\/2025\/11\/jt-3-300x200.jpg 300w, https:\/\/institutfrancais.ro\/bucuresti\/wp-content\/uploads\/sites\/2\/2025\/11\/jt-3-768x512.jpg 768w, https:\/\/institutfrancais.ro\/bucuresti\/wp-content\/uploads\/sites\/2\/2025\/11\/jt-3-1536x1024.jpg 1536w, https:\/\/institutfrancais.ro\/bucuresti\/wp-content\/uploads\/sites\/2\/2025\/11\/jt-3.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>N\u0103scut\u0103 \u00een 1998 la Paris, <strong>Jos\u00e9phine Topolanski <\/strong>tr\u0103ie\u0219te \u0219i lucreaz\u0103 la Paris. Absolvent\u0103 a ENSAD \u00een 2021, a expus la 100% L\u2019EXPO Villette (2022), apoi la cea de-a 73-a edi\u021bie a Jeune Cr\u00e9ation (2023).<\/p>\n\n\n\n<p>\u00cen 2024, lucr\u0103rile sale au fost prezentate la CAC Br\u00e9tigny, la galeria Aline Vidal (Paris), la Galeria Chantiers Bo\u00eete Noire (Montpellier) \u0219i la Confort Mental (Paris). Co-creeaz\u0103, \u00eempreun\u0103 cu curatoarea independent\u0103 Salom\u00e9 Fau, un ciclu de expozi\u021bii \u0219i expune la Plateau du Frac \u00cele-de-France, \u00een urma reziden\u021bei sale la Villa Belleville.<\/p>\n\n\n\n<p>Rezident\u0103 la Artagon Pantin, expune \u00een prezent la centrul de art\u0103 Kommet (Lyon). Lucr\u0103rile sale fac obiectul unei achizi\u021bii de c\u0103tre Fondul municipal de art\u0103 contemporan\u0103 din Pantin (2022), precum \u0219i de c\u0103tre Fondul de art\u0103 contemporan\u0103 \u2013 Paris Collections, \u00een cadrul programului Jeunes collectionneurs (2025).<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10022\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/jt_1-678x1024.jpg\" alt=\"\" class=\"wp-image-10022\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10020\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/jt_2-678x1024.jpg\" alt=\"\" class=\"wp-image-10020\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10018\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/jt_3-680x1024.jpg\" alt=\"\" class=\"wp-image-10018\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10016\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/jt_4-697x1024.jpg\" alt=\"\" class=\"wp-image-10016\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10014\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/jt_5-678x1024.jpg\" alt=\"\" class=\"wp-image-10014\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10012\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/jt_6-679x1024.jpg\" alt=\"\" class=\"wp-image-10012\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10010\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/jt_7-680x1024.jpg\" alt=\"\" class=\"wp-image-10010\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10008\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/jt_8-680x1024.jpg\" alt=\"\" class=\"wp-image-10008\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10006\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/jt_9-680x1024.jpg\" alt=\"Jos\u00e9phine Topolanski\" class=\"wp-image-10006\"\/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Reziden\u021b\u0103 la Bucure\u0219ti \u00een perioada 28.07 \u2013 28.08.2025 Organizat de&nbsp;Institutul Francez din Rom\u00e2nia, \u00een parteneriat cu&nbsp;Reziden\u021ba9. Proiect realizat cu sprijinul&nbsp;Institutului Francez&nbsp;din Paris \u0219i al&nbsp;Funda\u021biei Hippocr\u00e8ne. \u201eAdev\u0103rurile sunt iluzii pe care am uitat c\u0103 sunt\u201d, spunea Nietzsche. Acela\u0219i filosof anun\u021ba moartea lui Dumnezeu, adic\u0103 sf\u00e2r\u0219itul valorilor absolute \u0219i al adev\u0103rurilor suprasensibile sub ofensiva progresului tehnico-\u0219tiin\u021bific. Ca [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":11939,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[414],"tags":[],"class_list":["post-11948","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezindeti-2025"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/posts\/11948","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/comments?post=11948"}],"version-history":[{"count":3,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/posts\/11948\/revisions"}],"predecessor-version":[{"id":11996,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/posts\/11948\/revisions\/11996"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/media\/11939"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/media?parent=11948"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/categories?post=11948"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/tags?post=11948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}