{"id":11971,"date":"2025-07-01T08:25:00","date_gmt":"2025-07-01T08:25:00","guid":{"rendered":"https:\/\/institutfrancais.ro\/bucuresti\/?p=11971"},"modified":"2026-01-19T10:34:54","modified_gmt":"2026-01-19T10:34:54","slug":"clelia-guy","status":"publish","type":"post","link":"https:\/\/institutfrancais.ro\/bucuresti\/clelia-guy\/","title":{"rendered":"Cl\u00e9lia Guy"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Reziden\u021b\u0103 la C\u00e2mpulung \u00een perioada 1\u201330.07.2025<\/h4>\n\n\n\n<p>Organizat de&nbsp;<strong>Institutul Francez din Rom\u00e2nia<\/strong>, \u00een parteneriat cu&nbsp;funda\u021bia <strong>Pro Patrimonio<\/strong>.<\/p>\n\n\n\n<p>Proiect realizat cu sprijinul&nbsp;<strong>Institutului Francez<\/strong>&nbsp;din Paris \u0219i al&nbsp;<strong>Funda\u021biei Hippocr\u00e8ne<\/strong>.<\/p>\n\n\n\n<p>Proiectul Cl\u00e9liei Guy, dezvoltat la Villa Golescu (C\u00e2mpulung) pune \u00een eviden\u021b\u0103 metoda prin care obiectele- mobila din diferite p\u0103r\u021bi ale casei \u00een primul r\u00e2nd \u2013 au un poten\u021bial de senzualitate infinit. Lucrurile se a\u0219az\u0103, se petrec, se \u00eembin\u0103, se blocheaz\u0103, se poart\u0103 sau se \u00eentredeschid. \u00cen aceste obiecte, raportul cu secretul este o constant\u0103. \u00cencuietorile, ad\u00e2nciturile \u0219i intersti\u021biile las\u0103 s\u0103 se \u00eentrevad\u0103 g\u00e2ndurile \u0219i gesturile neconven\u021bionale care s-au depus acolo, \u00een surdin\u0103. Artista evoc\u0103 \u00een acest proiect sentimentul interzis de a deschide u\u0219ile. \u0218i este precis desen\u00e2nd aceste u\u0219i deschise sau \u00eenchise se materializeaz\u0103 aici corpurile care se desf\u0103\u0219oar\u0103 sau se reculeg. De-a lungul caietelor sale de schi\u021be, Cl\u00e9lia Guy a mobilizat iconografia erotic\u0103 provenit\u0103 din filmul Mademoiselle, un thriller al regizorului sud-coreean Park Chan-wook, care relateaz\u0103 o poveste de manipul\u0103ri, tr\u0103d\u0103ri \u0219i dorin\u021be pl\u0103m\u0103dite \u00een jurul iubirii dintre o servitoare \u0219i o mo\u0219tenitoare. Aceste imagini, asociate cu releveele mobilierului, acestea dau na\u0219tere, prin ambivalen\u021ba lor, la ceea ce teoreticiana Eve Kosofsky Sedgwick a numit \u00abepistemologia dulapului\u00bb \u00een volumul s\u0103u omonim din 1990. Chiar dac\u0103 Sedgwick nu se refer\u0103 niciodat\u0103 la dulap \u00een sens literal, ea preia expresia uzual\u0103 \u00aba ie\u0219i din dulap\u00bb pentru a conferi obiectului o valoare conceptual\u0103 \u0219i pentru a scoate \u00een eviden\u021b\u0103 rolul s\u0103u structurant \u00een organizarea societ\u0103\u021bii \u00een jurul a ceea ce este spus \u0219i a ceea ce r\u0103m\u00e2ne nespus. Proiect\u00e2nd asupra surorilor Golescu, ultimele ocupante ale vilei, emo\u021biile clandestine surprinse \u00een Mademoiselle, Cl\u00e9lia Guy impregneaz\u0103 acest decor profund burghez, \u00een care a locuit c\u00e2teva s\u0103pt\u0103m\u00e2ni, cu un discret parfum de impudoare. Pagini \u00eentregi populate de corpuri \u0219i obiecte au fost smulse din caiet \u2013 care este totodat\u0103 \u0219i un carnet \u2013, pliate \u0219i repliate pentru a \u00eenlocui h\u00e2rtiile deja existente sub mobilier, folosite drept cale. Gestul de a cal\u021ba cu buc\u0103\u021bi de h\u00e2rtie pare astfel s\u0103 exprime dorin\u021ba ne m\u0103rturisit\u0103 de a te \u00een\u021bepeni \u00eentre dou\u0103 for\u021be aflate \u00een presiune, de a sim\u021bi, sub greutatea celuilalt, contururile propriului corp \u0219i capacitatea sa surprinz\u0103toare de a se l\u0103sa modelat.<br>\u2003C\u00e2teva decoruri relevate de artist\u0103 pornind de la mobilier se \u00eenf\u0103\u0219oar\u0103 \u00een volute asemenea trompei unui fluture \u0219i se \u00eentre\u021bes, \u00ee\u0219i taie calea unele altora pentru a forma lettrinele unui alfabet nou. Asemenea obiectelor, aceste forme creeaz\u0103 o analogie antropomorf\u0103, povestesc corpurile \u0219i \u00eent\u00e2lnirea lor \u00een sub\u021birimea unui detaliu. Ne sustragem regulii \u0219i ne l\u0103s\u0103m descoperi\u021bi. Un alt exemplu \u00eel constituie patinele sau socii cu baret\u0103 din Rena\u0219tere, vizibile \u00een prim-planul tabloului So\u021bii Arnolfini de Jan van Eyck (1434): accesorii intime orientate spre fereastr\u0103 \u0219i spre exterior, pe care Cl\u00e9lia Guy le reproduce \u00een trei exemplare. Acest unic obiect, prin arcuirea sa pronun\u021bat\u0103, talpa decorat\u0103 \u0219i baret\u0103 delicat\u0103, \u00eencruci\u0219at\u0103 \u00eenaintea v\u00e2rfului alungit, vorbe\u0219te despre p\u0103trunderile \u00een intimitate, despre t\u0103cerea piciorului mic care se strecoar\u0103 acolo, care traverseaz\u0103, ating\u00e2ndu-le abia, podelele dormitoarelor \u0219i ale saloanelor \u00een inima nop\u021bii.<\/p>\n\n\n\n<p class=\"has-text-align-right\">Elora Weill-Engerer<strong><\/strong><\/p>\n\n\n\n<p><em>De \u00eendat\u0103 ce am ajuns, am deschis u\u0219ile, sertarele, dulapurile, c\u0103r\u021bile. Unele u\u0219i nu se deschid, altele trebuie \u021binute deschise cu o bucat\u0103 de h\u00e2rtie. \u00centre pudicitate \u0219i exhibi\u021bionism, fiecare pies\u0103 de mobilier reac\u021bioneaz\u0103 diferit. M-am \u00eentrebat ce dorin\u021be secrete ale surorilor Golescu \u2013 ultimele locuitoare ale vilei \u2013 ascundeau. Mi-am imaginat pl\u0103ceri senzuale, eman\u00e2nd dintr-o bucat\u0103 de stof\u0103 care ie\u0219ea dintr-un sertar sau dintr-un cuv\u00e2nt \u00eemp\u0103turit. Am asociat aceast\u0103 viziune cu picturile flamande din secolul al XV-lea, \u00een care se poate vedea un interior burghez cu pantofi \u00een prim-plan. Aceste pantofi subliniaz\u0103 trecerea de la exterior la interior, de la public la intim. Ele denun\u021b\u0103 o prezen\u021b\u0103 recent\u0103 \u0219i accentueaz\u0103 sentimentul de intruziune al vizitatorului. Am numit acest proiect \u201eDo not open closed doors\u201d (Nu deschide\u021bi u\u0219ile \u00eenchise), deoarece enun\u021b\u0103 interdic\u021bia tacit\u0103 care permite intimit\u0103\u021bii s\u0103 se extind\u0103 \u0219i s\u0103 fie imaginat\u0103 prin pere\u021bi.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-right\">Cl\u00e9lia Guy<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"10001\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/cg_1-1024x768.jpg\" alt=\"\" class=\"wp-image-10001\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"9999\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/cg_2-768x1024.jpg\" alt=\"\" class=\"wp-image-9999\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"9997\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/cg_3-768x1024.jpg\" alt=\"\" class=\"wp-image-9997\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"9995\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/cg_4-768x1024.jpg\" alt=\"\" class=\"wp-image-9995\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"9993\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/cg_5-768x1024.jpg\" alt=\"\" class=\"wp-image-9993\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"9991\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/cg_6-768x1024.jpg\" alt=\"\" class=\"wp-image-9991\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"9989\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/cg_7-768x1024.jpg\" alt=\"\" class=\"wp-image-9989\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"9987\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2026\/01\/cg_8-768x1024.jpg\" alt=\"Cl\u00e9lia Guy\" class=\"wp-image-9987\"\/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Reziden\u021b\u0103 la C\u00e2mpulung \u00een perioada 1\u201330.07.2025 Organizat de&nbsp;Institutul Francez din Rom\u00e2nia, \u00een parteneriat cu&nbsp;funda\u021bia Pro Patrimonio. Proiect realizat cu sprijinul&nbsp;Institutului Francez&nbsp;din Paris \u0219i al&nbsp;Funda\u021biei Hippocr\u00e8ne. Proiectul Cl\u00e9liei Guy, dezvoltat la Villa Golescu (C\u00e2mpulung) pune \u00een eviden\u021b\u0103 metoda prin care obiectele- mobila din diferite p\u0103r\u021bi ale casei \u00een primul r\u00e2nd \u2013 au un poten\u021bial de senzualitate [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":11972,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[414],"tags":[],"class_list":["post-11971","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezindeti-2025"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/posts\/11971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/comments?post=11971"}],"version-history":[{"count":2,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/posts\/11971\/revisions"}],"predecessor-version":[{"id":11991,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/posts\/11971\/revisions\/11991"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/media\/11972"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/media?parent=11971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/categories?post=11971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/bucuresti\/wp-json\/wp\/v2\/tags?post=11971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}