{"id":1925,"date":"2021-02-05T15:21:17","date_gmt":"2021-02-05T15:21:17","guid":{"rendered":"https:\/\/institutfrancais.ro\/cluj-napoca\/la-trahison-des-images\/"},"modified":"2021-05-11T06:07:48","modified_gmt":"2021-05-11T06:07:48","slug":"la-trahison-des-images","status":"publish","type":"post","link":"https:\/\/institutfrancais.ro\/cluj-napoca\/fr\/la-trahison-des-images\/","title":{"rendered":"La trahison des images"},"content":{"rendered":"\n<h4 class=\"has-vivid-cyan-blue-color has-text-color wp-block-heading\">Gabriel Marian<\/h4>\n\n\n\n<p><strong>8\u201322 novembre 2018<\/strong><\/p>\n\n\n\n<p>Les mots et les images ne sont plus consid\u00e9r\u00e9s aujourd\u2019hui comme de v\u00e9ritables ponts vers la connaissance du monde, ils constituent plut\u00f4t des obstacles qui nous s\u00e9parent souvent de la vie r\u00e9elle. Partant de cette \u00e9vidence, l\u2019artiste veut s\u2019en servir comme de simples composants ou \u00e9l\u00e9ments constitutifs d\u2019une nouvelle vision artistique. Ce projet explore la superposition de nombreuses couches d\u2019\u00e9critures, utilis\u00e9es autant pour leurs qualit\u00e9s po\u00e9tiques que pour leur potentiel calligraphique. Et ce, jusqu\u2019au point o\u00f9 leur accumulation visuelle parvienne \u00e0 composer des images plus ou moins figuratives, tout en insistant sur leur charge esth\u00e9tique.<br>Gabriel Marian est artiste visuel, curateur et l\u2019un des fondateurs de la Galerie Nano, au Centre d\u2019Int\u00e9r\u00eat, Cluj-Napoca. Dipl\u00f4m\u00e9 en 2011 du Master de peinture de l\u2019Universit\u00e9 d\u2019art et design, il y pr\u00e9pare actuellement son doctorat sous la direction du prof. Ioan Sb\u00e2rciu.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gabriel Marian 8\u201322 novembre 2018 Les mots et les images ne sont plus consid\u00e9r\u00e9s aujourd\u2019hui comme de v\u00e9ritables ponts vers la connaissance du monde, ils constituent plut\u00f4t des obstacles qui nous s\u00e9parent souvent de la vie r\u00e9elle. Partant de cette \u00e9vidence, l\u2019artiste veut s\u2019en servir comme de simples composants ou \u00e9l\u00e9ments constitutifs d\u2019une nouvelle vision [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":472,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[129,70,56],"tags":[],"class_list":["post-1925","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2018-fr","category-archive","category-la-cave-fr"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/fr\/wp-json\/wp\/v2\/posts\/1925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/fr\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/fr\/wp-json\/wp\/v2\/comments?post=1925"}],"version-history":[{"count":2,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/fr\/wp-json\/wp\/v2\/posts\/1925\/revisions"}],"predecessor-version":[{"id":1993,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/fr\/wp-json\/wp\/v2\/posts\/1925\/revisions\/1993"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/fr\/wp-json\/wp\/v2\/media\/472"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/fr\/wp-json\/wp\/v2\/media?parent=1925"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/fr\/wp-json\/wp\/v2\/categories?post=1925"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/fr\/wp-json\/wp\/v2\/tags?post=1925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}