{"id":143,"date":"2021-02-05T15:21:17","date_gmt":"2021-02-05T13:21:17","guid":{"rendered":"https:\/\/institutfrancais.ro\/cluj-napoca\/?p=143"},"modified":"2022-10-10T08:13:43","modified_gmt":"2022-10-10T06:13:43","slug":"la-trahison-des-images","status":"publish","type":"post","link":"https:\/\/institutfrancais.ro\/cluj-napoca\/la-trahison-des-images\/","title":{"rendered":"La trahison des images"},"content":{"rendered":"\n<h4 class=\"has-vivid-cyan-blue-color has-text-color wp-block-heading\">Gabriel Marian<\/h4>\n\n\n\n<p><strong>8\u201322 noiembrie 2018<\/strong><\/p>\n\n\n\n<p>Imaginile \u0219i cuvintele nu mai sunt azi considerate ca veritabile pun\u0163i spre cunoa\u0219terea lumii, ele constituie mai degrab\u0103 obstacole care ne \u0163in adesea departe de via\u0163a real\u0103. Pornind de la aceast\u0103 eviden\u0163\u0103, artistul inten\u0163ioneaz\u0103 s\u0103 le utilizeze ca pe ni\u0219te simple materiale sau elemente constitutive ale unei noi viziuni artistice. Acest proiect exploreaz\u0103 suprapunerea a numeroase straturi de texte, folosite at\u00e2t pentru calit\u0103\u0163ile lor poetice c\u00e2t \u0219i pentru poten\u0163ialul lor caligrafic, p\u00e2n\u0103 c\u00e2nd acumularea vizual\u0103 ajunge s\u0103 compun\u0103 imagini mai mult sau mai pu\u0163in figurative, \u00eens\u0103 \u00eentotdeauna cu o important\u0103 \u00eenc\u0103rc\u0103tur\u0103 estetic\u0103.<br>Gabriel Marian este artist vizual, curator \u0219i unul din fondatorii Galeriei Nano, Centrul de Interes. A absolvit \u00een 2011 masteratul de pictur\u0103 al Universit\u0103\u0163ii de Arte \u0219i Design, iar \u00een prezent este doctorand la aceea\u0219i universitate, sub \u00eendrumarea prof. Ioan Sb\u00e2rciu.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gabriel Marian 8\u201322 noiembrie 2018 Imaginile \u0219i cuvintele nu mai sunt azi considerate ca veritabile pun\u0163i spre cunoa\u0219terea lumii, ele constituie mai degrab\u0103 obstacole care ne \u0163in adesea departe de via\u0163a real\u0103. Pornind de la aceast\u0103 eviden\u0163\u0103, artistul inten\u0163ioneaz\u0103 s\u0103 le utilizeze ca pe ni\u0219te simple materiale sau elemente constitutive ale unei noi viziuni artistice. [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":471,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[127,20,19],"tags":[],"class_list":["post-143","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-127","category-arhiva","category-la-cave"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/comments?post=143"}],"version-history":[{"count":1,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/143\/revisions"}],"predecessor-version":[{"id":986,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/143\/revisions\/986"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media\/471"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media?parent=143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/categories?post=143"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/tags?post=143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}