12\u201324 mai<\/strong><\/p>\n\n\n\n Curator: Lina \u021a\u0103rmure<\/strong><\/p>\n\n\n\n Echilibru \u0219i stabilitate \u2013 concepte tot mai neclare, care au devenit din ce \u00een ce mai \u00eendep\u0103rtate \u00een ultimul timp. Schimb\u0103rile exterioare, impuse de criza pandemic\u0103, au creat incoeren\u021be \u0219i incapacit\u0103\u021bi interioare, generatoare de anxietate. St\u0103rile nepl\u0103cute cu care ne confrunt\u0103m \u00een contemporanul endemic devin amplificate fa\u021b\u0103 de cele resim\u021bite \u00een \u201enormalitatea\u201d anterioar\u0103 actualit\u0103\u021bii. Ne trezim, a\u0219adar, \u00eentr-o c\u0103utare \u0219i mai acerb\u0103 \u2013 mi\u0219un\u0103m dup\u0103 firesc, stabilitate, echilibru. Heidi Tradnik<\/strong> (n. 1994) este artist vizual, absolvent\u0103 a studiilor de licen\u021b\u0103 \u0219i masterat ale catedrei de Sculptur\u0103 din cadrul Universit\u0103\u021bii de Art\u0103 \u0219i Design din Cluj-Napoca. A primit diverse burse de studii la Universidad del Pa\u00eds Vasco (Bilbao, Spania) \u0219i \u00c9cole sup\u00e9rieure des arts Saint-Luc de Li\u00e8ge (Li\u00e8ge, Belgia). \u00cen prezent urmeaz\u0103 cursurile \u0218colii Doctorale ale aceleia\u0219i institu\u021bii. Heidi Tradnik a observat cum o serie de schimb\u0103ri petrecute \u00een via\u021ba sa \u0219i-au l\u0103sat amprenta asupra modului de raportare la responsabilit\u0103\u021bile cotidiene, reg\u0103sind aceast\u0103 problem\u0103 \u0219i \u00eentr-un mai amplu context social. <\/p>\n","protected":false},"author":8,"featured_media":1743,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[118,20,19],"tags":[],"class_list":["post-1837","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-118","category-arhiva","category-la-cave"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/1837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/comments?post=1837"}],"version-history":[{"count":2,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/1837\/revisions"}],"predecessor-version":[{"id":2197,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/1837\/revisions\/2197"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media\/1743"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media?parent=1837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/categories?post=1837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/tags?post=1837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Heidi Tradnik a observat cum o serie de schimb\u0103ri petrecute \u00een via\u021ba sa \u0219i-au l\u0103sat amprenta asupra modului de raportare la responsabilit\u0103\u021bile cotidiene, reg\u0103sind aceast\u0103 problem\u0103 \u0219i \u00eentr-un mai amplu context social. Combin\u00e2nd con\u0219tientizarea nevoilor proprii cu interesul pentru materialitatea buretelui, artista \u00ee\u0219i creeaz\u0103 propriul univers tridimensional, bazat pe \u00eensu\u0219iri ce lipsesc din universul comun \u2013 stabilitate & siguran\u021b\u0103.
Pentru a ajunge la echilibrul necesar unui corp, acesta trebuie supus unor for\u021be sau efecte care se anuleaz\u0103 reciproc, f\u0103r\u0103 a-i schimba starea de mi\u0219care; astfel, se ajunge \u00eentr-un punct \u00een care este nevoie de ceva mai mult sau, din contr\u0103, mai pu\u021bin. Acest exerci\u021biu de ad\u0103ugire\/reducere transpus \u00een demersul artistic reprezint\u0103 o modalitate de autocunoa\u0219tere, de analiz\u0103 a g\u00e2ndurilor, a psihicului guvernat de emo\u021bii.
Cu alte cuvinte, \u00een expozi\u021bia PLUS OU MOINS reg\u0103sim at\u00e2t un jurnal vizual organizat metaforic, c\u00e2t \u0219i un pretext de comunicare al unor subiecte sensibile, imposibil de transmis \u00een alte circumstan\u021be; un demers cathartic, de reg\u0103sire a sinelui, de repozi\u021bionare a acestuia \u00een raport cu realitatea.<\/p>\n\n\n\n
Este pasionat\u0103 de volum, tehnici \u0219i materiale – o fascineaz\u0103 posibilit\u0103\u021bile, limitele \u0219i rela\u021biile acestora. Cu toate c\u0103 momentan exploreaz\u0103 preponderent zona materialelor neconven\u021bionale, este interesat\u0103 de o varietate mai ampl\u0103 de medii: de la ceramic\u0103 \u0219i burete, la piatr\u0103 \u0219i bronz. Demersul s\u0103u artistic se axeaz\u0103 \u00een jurul c\u0103ut\u0103rilor \/ exerci\u021biilor \/ dialogurilor introspective. De-a lungul timpului, a lucrat \u0219i ca restaurator.<\/p>\n","protected":false},"excerpt":{"rendered":"