{"id":2823,"date":"2021-10-06T08:23:38","date_gmt":"2021-10-06T06:23:38","guid":{"rendered":"https:\/\/institutfrancais.ro\/cluj-napoca\/?p=2823"},"modified":"2022-10-14T08:11:48","modified_gmt":"2022-10-14T06:11:48","slug":"anatomia-orasului","status":"publish","type":"post","link":"https:\/\/institutfrancais.ro\/cluj-napoca\/anatomia-orasului\/","title":{"rendered":"Anatomia ora\u0219ului"},"content":{"rendered":"\n<h4 class=\"has-vivid-cyan-blue-color has-text-color wp-block-heading\">Schoppel Cut<\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"384\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2021\/10\/cave_45-schoppel-1024x384.jpg\" alt=\"\" class=\"wp-image-2827\" srcset=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2021\/10\/cave_45-schoppel-1024x384.jpg 1024w, https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2021\/10\/cave_45-schoppel-300x113.jpg 300w, https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2021\/10\/cave_45-schoppel-768x288.jpg 768w, https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2021\/10\/cave_45-schoppel-1536x576.jpg 1536w, https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2021\/10\/cave_45-schoppel.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>7\u201322 octombrie<\/strong><br><strong>Program de vizitare: luni\u2013vineri 10:00\u201317:00<\/strong><br><strong>Program special de Noaptea alb\u0103 a galeriilor: vineri, 15 octombrie, 10:00\u201321:00<br>Curator Lina \u021a\u0103rmure<\/strong><\/p>\n\n\n\n<p>\u00cen perioada pandemiei guvernat\u0103 de introspec\u021bii, Schoppel Cut \u00ee\u0219i transpune g\u00e2ndurile \u00een analog, reprezent\u00e2nd, printre altele, o form\u0103 de rezisten\u021b\u0103 \u00eempotriv\u0103 libert\u0103\u021bii date de digital. Incitat\u0103 de imposibilitatea anul\u0103rii gre\u0219elii, artista se exprim\u0103 exclusiv cu ajutorul h\u00e2rtiei, constanta configura\u021biilor personale devenind modificarea \u0219i ad\u0103ugarea, g\u0103zduite de procesele specifice ale g\u00e2ndirii, implicit ale crea\u021biei.<br>Ajut\u00e2ndu-se de g\u00e2ndirea dezvoltat\u0103 \u00een cadrul studiilor de filosofie, Schoppel Cut compune poezii vizuale despre cotidian: fie c\u0103 e vorba despre vise, conflicte sau \u00eentreb\u0103ri care vizeaz\u0103 diverse aspecte sociale &amp; culturale, istorii personale sau colective; analogiile dintre fragmentele preluate din biblioteca universal\u0103 a artei vizuale \u0219i imaginile din surse aleatorii sunt menite s\u0103 emfazeze posibilele leg\u0103turi dintre tradi\u021bie \u0219i actualitate, dintre trecut \u0219i prezentul guvernat, printre altele, de diverse fantezii freudiene despre pierderi, dorin\u021be \u0219i alte teme subversive care b\u00e2ntuie contemporanul social \u0219i politic, precum contrastele propriei culturi sau ambivalen\u021ba sinelui.<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-background-color has-background\"><strong>Carla Schoppel<\/strong> (SCHOPPEL CUT) a studiat estetic\u0103 \u0219i filosofie la Facultatea de Filosofie din cadrul Universit\u0103\u021bii Bucure\u0219ti. \u00cen timpul studiilor de doctorat a \u00eenceput s\u0103 aplice concepte filosofice \u00een artele vizuale, folosind colajul analog ca tehnologie personal\u0103 pentru definirea memoriei \u0219i a propriei lumi imaginare. Lucr\u0103rile sale, prezentate ca proiectul Schoppel Cut au fost selectate pentru expozi\u021bii \u00een galerii na\u021bionale \u0219i interna\u021bionale, respectiv ca ilustra\u021bii \u00een fanzine sau reviste online rom\u00e2ne\u0219ti.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00cen perioada pandemiei guvernat\u0103 de introspec\u021bii, Schoppel Cut \u00ee\u0219i transpune g\u00e2ndurile \u00een analog, reprezent\u00e2nd, printre altele, o form\u0103 de rezisten\u021b\u0103 \u00eempotriv\u0103 libert\u0103\u021bii date de digital.<\/p>\n","protected":false},"author":8,"featured_media":2827,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[118,20,19],"tags":[],"class_list":["post-2823","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-118","category-arhiva","category-la-cave"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/2823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/comments?post=2823"}],"version-history":[{"count":2,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/2823\/revisions"}],"predecessor-version":[{"id":2833,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/2823\/revisions\/2833"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media\/2827"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media?parent=2823"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/categories?post=2823"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/tags?post=2823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}