{"id":5646,"date":"2023-01-31T10:58:48","date_gmt":"2023-01-31T08:58:48","guid":{"rendered":"https:\/\/institutfrancais.ro\/cluj-napoca\/?p=5646"},"modified":"2023-02-14T10:54:39","modified_gmt":"2023-02-14T08:54:39","slug":"pensees-litteraires-sarah-jollien-fardel","status":"publish","type":"post","link":"https:\/\/institutfrancais.ro\/cluj-napoca\/pensees-litteraires-sarah-jollien-fardel\/","title":{"rendered":"Pens\u00e9es litt\u00e9raires \u2013 Sarah Jollien Fardel"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\"><strong><em>Sa pr\u00e9f\u00e9r\u00e9e<\/em>, Sarah Jollien-Fardel<\/strong><\/h4>\n\n\n\n<p><strong>(<\/strong>Paris, Sabine Wespieser \u00c9diteur, 2022, 200 pagini)<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><em>Dincolo de fric\u0103, exist\u0103 amintiri. Exist\u0103 lovituri de pumn, ochi \u00eenl\u0103crima\u021bi, \u021bipete de furie sau de durere. Exist\u0103 cadavre.<\/em><\/p><\/blockquote>\n\n\n\n<p>Premiat\u0103 cu Premiul Romanului FNAC \u00een 2022, <em>Sa pr\u00e9f\u00e9r\u00e9e<\/em> de Sarah Jollien-Fardel este m\u0103rturia unui copil privat de copil\u0103rie. \u00cen cantonul Valais, un sat de munte din Elve\u021bia, tragedia unei familii martirizate trece neobservat\u0103.<\/p>\n\n\n\n<p>Prin intermediul protagonistei Jeanne, Sarah Jollien-Fardel ne vorbe\u0219te despre masacrul unei tinere\u021bi. Tat\u0103l o chinuie pe Jeanne, pe cealalt\u0103 fiic\u0103 a sa \u0219i pe so\u021bia lui, dar nu e vorba doar de r\u0103ni fizice, ci \u0219i de temeri \u0219i umilin\u021be care nu se vindec\u0103 niciodat\u0103. Ochii s\u0103lbatici \u0219i bulbuca\u021bi ai b\u0103rbatului r\u0103m\u00e2n imprima\u021bi pe retina lor. Jeanne lupt\u0103 \u00eempotriva propriei copil\u0103rii, \u00eempotriva tat\u0103lui ei brutal, \u00eempotriva ei \u00eense\u0219i: \u201eNu aveam treizeci de ani, eram \u00een r\u0103zboi. Dintotdeauna. Pentru totdeauna.\u201d<em> <\/em>(pagina 105)<\/p>\n\n\n\n<p>Umilin\u021ba pe care a suferit-o a privat-o pe Jeanne de identitatea ei. Copilul care fusese se uit\u0103 la femeia care a devenit \u0219i o critic\u0103 pentru c\u0103 nu a rupt t\u0103cerea. Neputin\u021ba de a uita, de a ierta atrocit\u0103\u021bile copil\u0103riei este adev\u0103rata tragedie, sunetul loviturilor revenind obsesiv \u00een con\u0219tiin\u021ba ei. Viitorul nu poate exista dec\u00e2t \u00een perspectiva trecutului. Dar cum poate cineva s\u0103 tr\u0103iasc\u0103 dac\u0103 are permanent trecutul \u00een fa\u021ba ochilor s\u0103i? Ce fel de mort-n\u0103scut este aceast\u0103 fiin\u021b\u0103 blestemat\u0103?<\/p>\n\n\n\n<p>Jeanne vrea s\u0103 tr\u0103iasc\u0103 \u00een ciuda tuturor ororilor la care o supune tat\u0103l ei. De aceea, se exileaz\u0103 la Lausanne, dar ceva o \u021bine \u00eenc\u0103 prizonier\u0103 la acea v\u00e2rst\u0103 pe care nu a dep\u0103\u0219it-o, \u00een casa tat\u0103lui ei. Poate vinov\u0103\u021bia. S-a n\u0103scut furioas\u0103; se revolt\u0103; se teme s\u0103 nu fie ca el. Tat\u0103l ei, care este chintesen\u021ba perversiunii, limita lipsei de idealuri, animalul pr\u0103d\u0103tor f\u0103r\u0103 \u0219anse de a fi iertat, o obsedeaz\u0103. C\u00e2nd acesta \u00ee\u0219i cere scuze, Jeanne \u00eel scuip\u0103 \u00een fa\u021b\u0103.<\/p>\n\n\n\n<p>\u00cen timpul lecturii, avem senza\u021bia ciudat\u0103 c\u0103 Jeanne \u00ee\u0219i invidiaz\u0103 sora, deoarece ea era favorita tat\u0103lui lor. Copilul caut\u0103 iubire&#8230; chiar dac\u0103 e vorba de iubirea pervers\u0103 \u0219i violent\u0103 a unui monstru.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Miruna Moldoveanu<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Premiat\u0103 cu Premiul Romanului FNAC \u00een 2022, Sa pr\u00e9f\u00e9r\u00e9e de Sarah Jollien-Fardel este m\u0103rturia unui copil privat de copil\u0103rie.<\/p>\n","protected":false},"author":8,"featured_media":5649,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[139],"tags":[],"class_list":["post-5646","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pensees-litteraires-mediateca-fr"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/5646","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/comments?post=5646"}],"version-history":[{"count":4,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/5646\/revisions"}],"predecessor-version":[{"id":5655,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/5646\/revisions\/5655"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media\/5649"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media?parent=5646"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/categories?post=5646"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/tags?post=5646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}