{"id":6248,"date":"2023-04-06T15:41:28","date_gmt":"2023-04-06T13:41:28","guid":{"rendered":"https:\/\/institutfrancais.ro\/cluj-napoca\/?p=6248"},"modified":"2023-05-11T10:13:13","modified_gmt":"2023-05-11T08:13:13","slug":"pensees-litteraires-saint-john-perse","status":"publish","type":"post","link":"https:\/\/institutfrancais.ro\/cluj-napoca\/pensees-litteraires-saint-john-perse\/","title":{"rendered":"Pens\u00e9es litt\u00e9raires \u2013 Saint-John Perse"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\"><strong><em>Amers, <\/em>Saint-John Perse<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">(Paris, Gallimard, 1970 [1957], 170 pagini)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Premiate cu Nobel \u00een 1960, poeziile \u00een proz\u0103 ale lui Saint-John Perse par a fi invoca\u021bii \u0219i, totodat\u0103, \u00eencerc\u0103ri de numire a M\u0103rii. Atotputernic\u0103 \u0219i crud\u0103 \u00een frumuse\u021bea ei, Marea cuprinde \u00een sine \u00eenceputul \u0219i sf\u00e2r\u0219itul fiin\u021bei. Puterea ei distructiv\u0103 vine, astfel, din for\u021ba ei creatoare \u2013 ea reprezint\u0103 pentru poet Iubita prin excelen\u021b\u0103, simbol ambivalent al vie\u021bii \u0219i al mor\u021bii. \u00cenchipuit\u0103 asemenea unei femei,&nbsp; mi\u0219carea ritmic\u0103 a valurilor are ceva din senzualitatea amantelor care pierd sufletul celui iubit. \u00centr-un fel, aceast\u0103 unduire de albastru devine un dans ce promite o dezv\u0103luire am\u00e2nat\u0103. Poetul r\u0103m\u00e2ne singur \u00een fa\u021ba unei enigme care \u00eel atrage \u0219i care \u00eel refuz\u0103, la fel ca un joc de seduc\u021bie a c\u0103rui miz\u0103 este destinul celui ce iube\u0219te.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dar Marea tace, \u0219i tocmai t\u0103cerea \u00eensp\u0103im\u00e2nt\u0103. <em>Nu exist\u0103 pericol mai mare dec\u00e2t somnul Iubitei&#8230;<\/em> Poetul prive\u0219te cu groaz\u0103 \u0219i dorin\u021b\u0103 amanta cu ochi verzi care \u00ee\u0219i leag\u0103n\u0103, dintr-un capriciu, valurile.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong><em>Vents, <\/em>Saint-John Perse<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">(Paris, Gallimard, 1968 [1946], 121 pagini)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Poetul se identific\u0103 marilor V\u00e2nturi. Aceste for\u021be brute promit rena\u0219terea fiin\u021bei. Este o afirmare aproape p\u0103g\u00e2n\u0103 a vie\u021bii, deoarece v\u00e2ntul reprezint\u0103 natura respir\u00e2nd, manifestat\u0103 \u00een integritatea puterii sale regeneratoare. Dac\u0103 Marea p\u0103streaz\u0103 \u00een sine feminitatea \u0219i, \u00een ultim\u0103 instan\u021b\u0103, ambivalen\u021ba ei de simboluri (via\u021b\u0103-moarte, pl\u0103cere-sp\u0103im\u00e2nt\u0103, senzualitate-spiritualitate), v\u00e2nturile sunt spirite de veghe, purt\u0103toare a unei brutalit\u0103\u021bi pe deplin masculine. Principiu activ al naturii, v\u00e2ntul are capacit\u0103\u021bi purificatoare \u2013 de aceea fiin\u021ba se \u00eenclin\u0103 \u00een fa\u021ba lui ca \u00eentr-un test de rezisten\u021b\u0103. \u00cen fond, aceast\u0103 nara\u021biune a respira\u021biei, remarc\u0103 Paul Claudel, se desf\u0103\u0219oar\u0103 poetic ca o epopee a v\u00e2ntului.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Miruna Moldoveanu<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Premiate cu Nobel \u00een 1960, poeziile \u00een proz\u0103 ale lui Saint-John Perse par a fi invoca\u021bii&#8230;<\/p>\n","protected":false},"author":8,"featured_media":6251,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[139],"tags":[],"class_list":["post-6248","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pensees-litteraires-mediateca-fr"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/comments?post=6248"}],"version-history":[{"count":2,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6248\/revisions"}],"predecessor-version":[{"id":6265,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6248\/revisions\/6265"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media\/6251"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media?parent=6248"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/categories?post=6248"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/tags?post=6248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}