{"id":6264,"date":"2023-05-11T09:59:59","date_gmt":"2023-05-11T07:59:59","guid":{"rendered":"https:\/\/institutfrancais.ro\/cluj-napoca\/?p=6264"},"modified":"2023-05-11T10:08:42","modified_gmt":"2023-05-11T08:08:42","slug":"pensees-litteraires-lucien-goldmann","status":"publish","type":"post","link":"https:\/\/institutfrancais.ro\/cluj-napoca\/pensees-litteraires-lucien-goldmann\/","title":{"rendered":"Pens\u00e9es litt\u00e9raires \u2013 Lucien Goldmann"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\"><strong><em>Le dieu cach\u00e9, <\/em>Lucien Goldmann<\/strong><\/h4>\n\n\n\n<p><strong>Paris, Gallimard, 1955, 454 pagini<\/strong><\/p>\n\n\n\n<p>Postura cosmologic\u0103 a lui Dumnezeu \u2013 cea de spectator \u2013 este ceea ce Gold\u00admann analizeaz\u0103 \u00een studiul s\u0103u asupra viziunii tragice reg\u0103site \u00een Cuget\u0103rile lui Pascal \u0219i \u00een teatrul lui Racine. Mut \u0219i pasiv, Dumnezeu prive\u0219te omul suferind.<\/p>\n\n\n\n<p>Totu\u0219i, acest Deus absconditus nu este doar absent, ci el este \u0219i prezent \u00een acela\u0219i timp. Tocmai \u00een aceast\u0103 simultaneitate se reg\u0103se\u0219te paradoxul existen\u021bei divinului. El este ascuns sau, mai exact, se ascunde de om ; r\u0103m\u00e2ne o posibilitate, un poten\u021bial nemanifestat. Georg Luk\u00e1cs, \u00een fa\u021ba unui Dumnezeu care ne prive\u0219te, dar care nu ne r\u0103spunde, se \u00eentreab\u0103: Mai poate tr\u0103i omul asupra c\u0103ruia a c\u0103zut privirea lui Dumnezeu? Nu exist\u0103 oare un dezacord \u00eentre actul uman \u0219i prezen\u021ba divin\u0103?<\/p>\n\n\n\n<p>Dac\u0103 pentru ra\u021bionali\u0219ti \u2013 Descartes, Malebranche, Spinoza \u2013 Dumnezeu este legea universal\u0103, autorul adev\u0103rurilor eterne care garanteaz\u0103 existen\u021ba \u00een lume \u0219i c\u0103ruia \u00eei recunoa\u0219tem dreptul teoretic de a face ocazional minuni, pentru Pascal sau Racine avem un Dumnezeu tragic. El judec\u0103 \u0219i \u00eei aminte\u0219te mereu omului, prin t\u0103cerea sa, c\u0103 nu exist\u0103 nici cel mai mic compromis de f\u0103cut.<\/p>\n\n\n\n<p>\u00centre dou\u0103 infinituri, omul se lupt\u0103 s\u0103 ajung\u0103 la una dintre eternit\u0103\u021bi. \u00cen filosofia lui Pascal, lupta \u00eempotriva sinelui \u0219i \u00eempotriva relativului este cea care duce la singur\u0103tate, apoi la con\u0219tiin\u021ba tragic\u0103. M\u0103re\u021bia tragic\u0103, adaug\u0103 Lucien Goldmann, este refuzul concesiunii \u00een numele oric\u0103rui act intramundan, iar acest refuz \u00eenseamn\u0103 acceptarea mor\u021bii.<\/p>\n\n\n\n<p>Dar dac\u0103 esen\u021ba condi\u021biei umane este \u00eentr-adev\u0103r moartea, eroii tragici sunt mor\u021bi \u00eenainte de a muri. \u00cen acest fel, Andromaca moare \u00eenc\u0103 de la prima replic\u0103. C\u00e2nd cortina se ridic\u0103, viitorul este deja prezent \u00een actul tragic.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Miruna Moldoveanu<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Postura cosmologic\u0103 a lui Dumnezeu \u2013 cea de spectator \u2013 este ceea ce Gold\u00admann analizeaz\u0103 \u00een studiul s\u0103u asupra viziunii tragice reg\u0103site \u00een Cuget\u0103rile lui Pascal \u0219i \u00een teatrul lui Racine. <\/p>\n","protected":false},"author":8,"featured_media":6266,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[139],"tags":[],"class_list":["post-6264","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pensees-litteraires-mediateca-fr"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/comments?post=6264"}],"version-history":[{"count":1,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6264\/revisions"}],"predecessor-version":[{"id":6268,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6264\/revisions\/6268"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media\/6266"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media?parent=6264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/categories?post=6264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/tags?post=6264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}