{"id":6360,"date":"2023-06-08T10:07:01","date_gmt":"2023-06-08T08:07:01","guid":{"rendered":"https:\/\/institutfrancais.ro\/cluj-napoca\/?p=6360"},"modified":"2023-06-08T10:08:44","modified_gmt":"2023-06-08T08:08:44","slug":"pensees-litteraires-jean-paul-sartre","status":"publish","type":"post","link":"https:\/\/institutfrancais.ro\/cluj-napoca\/pensees-litteraires-jean-paul-sartre\/","title":{"rendered":"Pens\u00e9es litt\u00e9raires \u2013 Jean-Paul Sartre"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\"><strong><em>Baudelaire,\u00a0<\/em>Jean-Paul Sartre<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Paris, Gallimard, 1988 [1947], 184 pagini<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dincolo de o analiz\u0103 literar\u0103, Sartre realizeaz\u0103 un portret psihologic al poetului pe baza celor mai semnificative motive literare din operele baudelairiene: dandism, libertate, p\u0103cat.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A te privi pe sine devine un act obsesiv, remarc\u0103 Sartre. Reflexia propriei fiin\u021be este obiect de critic\u0103, de condamnare \u0219i apoi un motiv de crea\u021bie. Nu exist\u0103 nimic firesc \u00een atitudinea lui Baudelaire, ci mai degrab\u0103 o artificialitate impus\u0103 de efortul de a se duplica: <em>Atitudinea original\u0103 a lui Baudelaire este cea a unui om care se examineaz\u0103 pe sine \u00eensu\u0219i. \u00cenclinat spre propria reflec\u021bie, ca Narcis (\u2026) Baudelaire este omul care nu se uit\u0103 niciodat\u0103. El se prive\u0219te privindu-se; se prive\u0219te pentru a se vedea privindu-se.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Subiect obiectivat, acest dandy decadent vede \u00een autoanaliz\u0103 un proiect de sine. A\u0219adar, el se creeaz\u0103 \u00een libertate total\u0103 pentru a corespunde cu idealul s\u0103u de devenire. \u00cen oglind\u0103 se prive\u0219te ca un iconoclast al spleen-ului. Privirea proprie \u00eenseamn\u0103 condamnare pentru c\u0103 devii propria instan\u021b\u0103 de judecat\u0103. Totu\u0219i, Baudelaire nu tinde s\u0103 retr\u0103iasc\u0103 p\u0103catul narcisic al celui care se \u00eendr\u0103goste\u0219te de propria imagine, ci atitudinea lui este una de ardoare luciferic\u0103 \u2013 aspir\u0103 la libertatea total\u0103, dar libertate \u00een r\u0103u. Se poate spune c\u0103 pretinde singur\u0103tate, \u0219i tocmai din singur\u0103tate provine m\u0103re\u021bia sa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">De altfel, a fi poet blestemat este propria alegere \u2013 el se condamn\u0103 s\u0103-\u0219i justifice propria existen\u021b\u0103, dar el este cel care \u0219i-a creat-o astfel: <em>El vrea s\u0103 se creeze, f\u0103r\u0103 \u00eendoial\u0103, dar \u00een a\u0219a fel \u00eenc\u00e2t ceilal\u021bi s\u0103-l vad\u0103. El vrea s\u0103 fie liber, dar liber \u00een cadrul unui univers gata f\u0103cut. A reu\u0219it s\u0103 cucereasc\u0103 o singur\u0103tate, \u00eenso\u021bit \u0219i consacrat, \u00een acela\u0219i mod \u00eencearc\u0103 s\u0103-\u0219i dea o libertate cu responsabilitate limitat\u0103. Liber \u0219i condamnat, creator \u0219i vinovat.<\/em><\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Miruna Moldoveanu<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Dincolo de o analiz\u0103 literar\u0103, Sartre realizeaz\u0103 un portret psihologic al poetului pe baza celor mai semnificative motive literare din operele baudelairiene: dandism, libertate, p\u0103cat.<\/p>\n","protected":false},"author":8,"featured_media":6361,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[139],"tags":[],"class_list":["post-6360","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pensees-litteraires-mediateca-fr"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/comments?post=6360"}],"version-history":[{"count":1,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6360\/revisions"}],"predecessor-version":[{"id":6363,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6360\/revisions\/6363"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media\/6361"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media?parent=6360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/categories?post=6360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/tags?post=6360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}