{"id":6496,"date":"2023-04-13T14:04:00","date_gmt":"2023-04-13T12:04:00","guid":{"rendered":"https:\/\/institutfrancais.ro\/cluj-napoca\/une-copie-mecanique-la-chambre-bleue-2\/"},"modified":"2023-06-14T14:15:41","modified_gmt":"2023-06-14T12:15:41","slug":"une-copie-mecanique-la-chambre-bleue-2","status":"publish","type":"post","link":"https:\/\/institutfrancais.ro\/cluj-napoca\/une-copie-mecanique-la-chambre-bleue-2\/","title":{"rendered":"Une copie m\u00e9canique: La chambre bleue"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"463\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/03\/ssuru_lachambrebleue-1024x463.jpg\" alt=\"\" class=\"wp-image-5991\" srcset=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/03\/ssuru_lachambrebleue-1024x463.jpg 1024w, https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/03\/ssuru_lachambrebleue-300x136.jpg 300w, https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/03\/ssuru_lachambrebleue-768x347.jpg 768w, https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/03\/ssuru_lachambrebleue-1536x694.jpg 1536w, https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/03\/ssuru_lachambrebleue.jpg 1771w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Sabina Suru<\/h3>\n\n\n\n<p><strong>Curator: Xenia Tinca<\/strong><\/p>\n\n\n\n<p><strong>30 martie \u2013 13 aprilie 2023<br>La Cave, Institutul Francez Cluj-Napoca<br>Vernisaj: 30 martie, ora 18<br>Program de vizitare: luni\u2013vineri, 10\u201317 \u00a0<\/strong><\/p>\n\n\n\n<p>Proiectul artistic&nbsp;<strong>Une copie m\u00e9canique: La chambre bleue<\/strong>&nbsp;s-a generat ca rezultat al demersurilor artistei din cadrul unei reziden\u021be de o s\u0103pt\u0103m\u00e2n\u0103 g\u0103zduit\u0103 de&nbsp;<strong>2\/3 galeria<\/strong>&nbsp;din Bucure\u0219ti, al c\u0103rei spa\u021biu a fost transformat \u00een camer\u0103 obscur\u0103 pe durata reziden\u021bei. Sabina Suru se inspir\u0103 din textul de referin\u021b\u0103 al lui Walter Benjamin,&nbsp;<em>Opera de art\u0103 \u00een epoca reproductibilit\u0103\u021bii sale tehnice<\/em>, \u0219i abordeaz\u0103 fotografia ca instrument evocativ \u0219i concomitent reificant, pentru a concretiza perspective intuitive de \u00een\u021belegere a realit\u0103\u021bii. Lucr\u0103rile din proiect examineaz\u0103 de asemenea moduri de instrumentare optic\u0103 cu impact asupra dimensiunii estetice a imaginii fotografice \u0219i introduc o viziune cinematic\u0103, \u00een special prin abordarea serial\u0103. &nbsp;<\/p>\n\n\n\n<p>Revizit\u00e2nd scrierile lui Benjamin, dincolo de viziunea acestuia care circumscrie imaginea tehnic\u0103 \u0219i modificarea chiar a statutului ontologic al imaginii indus\u0103 de posibilitatea reproducerii ei mecanice \u0219i \u00een mas\u0103,&nbsp;<strong>Sabina Suru<\/strong>&nbsp;se opre\u0219te reflexiv asupra \u00een\u021belegerii registrului temporalit\u0103\u021bii ce se poate dezvolta pornind de la ideile autorului german. Timpul, temporizarea, durata sunt con\u021binuturi referen\u021biale esen\u021biale \u00een arta sa, ce este inclusiv o \u00eencercare de a face posibil un dialog problematic \u00eentre analog \u0219i digital. Astfel, demersurile sale creative \u00eencearc\u0103 s\u0103 pun\u0103 sub semnul \u00eentreb\u0103rii preconcep\u021bii ce par s\u0103 ghideze adesea modul \u00een care ne raport\u0103m la fotografie ca instrument de \u00eenregistrare a realit\u0103\u021bii, dar \u0219i la film, ca mecanism de transfer al percep\u021biei \u0219i con\u0219tiin\u021bei \u00eentr-un nou spa\u021biu-timp narativ.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/03\/ssuru.jpg\" alt=\"Sabina Suru\" \/><\/figure>\n\n\n<p class=\"has-background\" style=\"background-color: #fcfeaf\">Sabina Suru este artist\u0103 multimedia, cofondatoare a asocia\u021biilor culturale Marginal, Qolony \u0219i Allkimik, respectiv a VAGon \u2013 spa\u021biu in(ter)disciplinat, artist-run \u00een cadrul Atelierelor Malmaison. Practica ei se construie\u0219te \u00een jurul fotografiei \u0219i holografiei argentice, alternative \u0219i experimentale, respectiv a filmului \u0219i instala\u021biei, \u0219i \u00eencorporeaz\u0103 elemente \u0219i concepte din \u0219tiin\u021b\u0103 (chimie, fizic\u0103, optic\u0103). Lucr\u0103rile ei adreseaz\u0103 problematici legate de muta\u021bii identitare instrumentate de tehnologie, obiectificare \u0219i memorie exografic\u0103. Lucreaz\u0103 \u00een echipe transdisciplinare al\u0103turi de arti\u0219ti vizuali, coregrafi \u0219i performeri, cercet\u0103tori sau programatori. Cele mai recente proiecte ale ei implic\u0103 holografie \u0219i dans contemporan, inteligen\u021b\u0103 artificial\u0103 \u0219i instala\u021bie video generativ\u0103, respectiv diverse abord\u0103ri post-digitale asupra fotografiei \u0219i filmului.<\/p>\n\n\n<p class=\"has-vivid-green-cyan-background-color has-background\">Parteneri: Distral, Domeniile Franco-Rom\u00e2ne, Ile de France<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Proiectul artistic\u00a0Une copie m\u00e9canique: La chambre bleue\u00a0s-a generat ca rezultat al demersurilor artistei din cadrul unei reziden\u021be de o s\u0103pt\u0103m\u00e2n\u0103 g\u0103zduit\u0103 de\u00a02\/3 galeria\u00a0din Bucure\u0219ti, al c\u0103rei spa\u021biu a fost transformat \u00een camer\u0103 obscur\u0103 pe durata reziden\u021bei. <\/p>\n","protected":false},"author":8,"featured_media":5991,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[148,19],"tags":[],"class_list":["post-6496","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2023-2","category-la-cave"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6496","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/comments?post=6496"}],"version-history":[{"count":4,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6496\/revisions"}],"predecessor-version":[{"id":6502,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6496\/revisions\/6502"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media\/5991"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media?parent=6496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/categories?post=6496"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/tags?post=6496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}