{"id":6806,"date":"2023-07-13T08:25:19","date_gmt":"2023-07-13T06:25:19","guid":{"rendered":"https:\/\/institutfrancais.ro\/cluj-napoca\/?p=6806"},"modified":"2023-07-13T08:25:22","modified_gmt":"2023-07-13T06:25:22","slug":"pensees-litteraires-albert-camus","status":"publish","type":"post","link":"https:\/\/institutfrancais.ro\/cluj-napoca\/pensees-litteraires-albert-camus\/","title":{"rendered":"Pens\u00e9es litt\u00e9raires \u2013 Albert Camus"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\"><strong><em>Noces, suivi de l\u2019\u00c9t\u00e9, <\/em>Albert Camus<\/strong><\/h4>\n\n\n\n<p><strong>Paris, Gallimard, 1959 [1938], 196 pagini<\/strong><\/p>\n\n\n\n<p>Colec\u021bie de eseuri autobiografice, <em>Noces, suivi de l\u2019\u00c9t\u00e9<\/em> enumer\u0103 atitudinile eului \u00een raport cu existen\u021ba, semnul unei comuniuni tainice cu universul. Nunta devine apogeul condi\u021biei umane, momentul \u00een care omul se manifest\u0103 \u00een m\u0103re\u021bia sa de s\u00e2nge \u0219i timp. Se pare c\u0103 se ridic\u0103 voalul unei naturi p\u00e2n\u0103 acum virgine, dar este mai mult dec\u00e2t un act de demitizare. Violen\u021ba valurilor, invidia v\u00e2ntului sau ochiul crud al cerului \u00eei \u0219optesc c\u0103 tr\u0103ie\u0219te. \u00cen acest lirism vegetal \u00ee\u0219i con\u0219tientizeaz\u0103 propria fiin\u021b\u0103.<\/p>\n\n\n\n<p>Astfel, patru decoruri celebreaz\u0103 <em>Nun\u021bile<\/em> lui Camus \u0219i primul este reprezentat prin ruinele Tipasei unde vechii zei <em>vorbesc din soare \u0219i \u00een miros de absint.<\/em> \u00cen mijlocul distrugerii, Camus resimte un preaplin de via\u021b\u0103. Dar dac\u0103 vestul Algeriei mai p\u0103streaz\u0103 ceva divin, Djemila, dimpotriv\u0103, este un decor tragic, steril. Printre aceste oseminte de ora\u0219 roman, v\u00e2ntul love\u0219te \u00een sine, iar el \u00ee\u0219i contempl\u0103 fragilitatea, care, sub soarele arz\u0103tor, este mai cople\u0219itoare ca niciodat\u0103. \u0218i, totu\u0219i, puterea de a tr\u0103i vine din tinere\u021be. \u00cen aceast\u0103 abunden\u021b\u0103 artistic\u0103, omul \u00ee\u0219i revendic\u0103 m\u00e2ndria \u2013 vrea s\u0103 tr\u0103iasc\u0103, vrea s\u0103 iubeasc\u0103, vrea s\u0103 guste culorile. Exist\u0103 prea mult\u0103 frumuse\u021be \u00een existen\u021b\u0103 pentru a nu fi. \u0218i aceast\u0103 splendoare ne este dezv\u0103luit\u0103 \u0219i \u00een Vara din Algeria, o amintire mai intim\u0103, un timp consumat ce a l\u0103sat un gol \u00een con\u0219tiin\u021b\u0103. Acesta este motivul pentru care de\u0219ertul din Toscana este, a\u0219adar, pur interior \u0219i destul de absurd. Contempl\u00e2ndu-\u0219i mereu propria con\u0219tiin\u021b\u0103, g\u00e2ndurile \u00eel cople\u0219esc. La fel ca Furiile, zeit\u0103\u021bile r\u0103zbun\u0103rii, acestea \u00eel urm\u0103resc \u0219i \u00eel oblig\u0103 s\u0103 ia act de propria fiin\u021bare.&nbsp; Dar despre timp nu se discut\u0103. Nici despre moarte.<\/p>\n\n\n\n<p>Exerci\u021biu de respira\u021bie: inspir\u0103m lumea. <em>Exist\u0103 un timp pentru a tr\u0103i \u0219i un timp pentru a m\u0103rturisi despre tr\u0103ire. Exist\u0103, de asemenea, un timp pentru a crea&#8230;<\/em><\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Miruna Moldoveanu<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Colec\u021bie de eseuri autobiografice, Noces, suivi de l\u2019\u00c9t\u00e9 enumer\u0103 atitudinile eului \u00een raport cu existen\u021ba, semnul unei comuniuni tainice cu universul. <\/p>\n","protected":false},"author":8,"featured_media":6808,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[139],"tags":[],"class_list":["post-6806","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pensees-litteraires-mediateca-fr"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6806","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/comments?post=6806"}],"version-history":[{"count":2,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6806\/revisions"}],"predecessor-version":[{"id":6811,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6806\/revisions\/6811"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media\/6808"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media?parent=6806"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/categories?post=6806"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/tags?post=6806"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}