{"id":6866,"date":"2023-07-26T11:19:00","date_gmt":"2023-07-26T09:19:00","guid":{"rendered":"https:\/\/institutfrancais.ro\/cluj-napoca\/?p=6866"},"modified":"2023-07-26T11:21:58","modified_gmt":"2023-07-26T09:21:58","slug":"pensees-litteraires-michel-o","status":"publish","type":"post","link":"https:\/\/institutfrancais.ro\/cluj-napoca\/pensees-litteraires-michel-o\/","title":{"rendered":"Pens\u00e9es litt\u00e9raires \u2013 Michel Onfray"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\"><strong><em><strong><em>La sculpture de soi,&nbsp;<\/em><\/strong><\/em>Michel Onfray<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Paris,&nbsp;<\/strong><strong>Grasset, 1993, 294 pagini<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Imagineaz\u0103-te \u00eenconjurat de oglinzi. \u00ce\u021bi po\u021bi contempla trupul din toate unghiurile, propria fiin\u021b\u0103 devine un obiect de studiu \u0219i analiz\u0103 metodic\u0103. Dar simetria acestor reflexii te \u00eempiedic\u0103 s\u0103 te prive\u0219ti \u00een ochi. Aici \u00eencepe sculptura sinelui, concept examinat \u00een lucrarea filozofic\u0103 a lui Michel Onfray.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dintr-o perspectiv\u0103 etic\u0103, nu este nimic narcisic \u00een acest tact de contempla\u021bie, deoarece privirea nu se reflect\u0103 asupra unui chip iubit. Fiin\u021ba, \u00eenfrunt\u00e2ndu-se, analizeaz\u0103 posibilit\u0103\u021bile sale de devenire \u2013 este ca o critic\u0103 a virtualit\u0103\u021bilor astfel \u00eenc\u00e2t s\u0103 se actualizeze \u00een integritatea for\u021bei sale umane. Omul nu este suficient \u0219i visul nietzschean revine cu nostalgie. Acest <em>Cezar cu inima lui Hristos<\/em> ne seduce. Supraomul apare, \u00een sf\u00e2r\u0219it, \u00een toat\u0103 puterea lui creatoare.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Totu\u0219i, acest joc al ochilor care nu se privesc este un exerci\u021biu de for\u021b\u0103 moral\u0103. Trebuie s\u0103 fii estet \u2013 ne spune Michel Onfray \u2013 dar nu \u00een sensul egoist al celui care \u00ee\u0219i alege doar una dintre poten\u021bialit\u0103\u021bile sale. Pentru c\u0103 este necesar s\u0103 le reunim \u00een plenitudinea lor unanim\u0103. Imaginile \u00eempr\u0103\u0219tiate, automutilarea pe care am suferit-o se reconstituie printr-o mi\u0219care artistic\u0103. Sculptorul lucreaz\u0103 cu \u0219i prin sine.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen felul acesta, se dispune de corp conform unei voin\u021be experimentale. Acest proiect estetic este, a\u0219adar, o \u00eencercare de a imortaliza fiin\u021ba \u00een totalitatea energiei sale vitale \u2013 de parc\u0103 Phoebus, dac\u0103 ne referim la mitologie, va r\u0103m\u00e2ne mereu suspendat \u00eentre p\u0103m\u00e2nt \u0219i cer, \u00een cel mai apropiat punct al soarelui.<em><\/em><\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Miruna Moldoveanu<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>La sculpture de soi,&nbsp;Michel Onfray Paris,&nbsp;Grasset, 1993, 294 pagini Imagineaz\u0103-te \u00eenconjurat de oglinzi. \u00ce\u021bi po\u021bi contempla trupul din toate unghiurile, propria fiin\u021b\u0103 devine un obiect de studiu \u0219i analiz\u0103 metodic\u0103. Dar simetria acestor reflexii te \u00eempiedic\u0103 s\u0103 te prive\u0219ti \u00een ochi. Aici \u00eencepe sculptura sinelui, concept examinat \u00een lucrarea filozofic\u0103 a lui Michel Onfray. Dintr-o [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":6853,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[139],"tags":[],"class_list":["post-6866","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pensees-litteraires-mediateca-fr"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6866","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/comments?post=6866"}],"version-history":[{"count":2,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6866\/revisions"}],"predecessor-version":[{"id":6871,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/6866\/revisions\/6871"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media\/6853"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media?parent=6866"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/categories?post=6866"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/tags?post=6866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}