{"id":7116,"date":"2023-10-02T11:25:16","date_gmt":"2023-10-02T09:25:16","guid":{"rendered":"https:\/\/institutfrancais.ro\/cluj-napoca\/?p=7116"},"modified":"2023-10-02T11:25:34","modified_gmt":"2023-10-02T09:25:34","slug":"in-this-embrace-of-yours-ill-only-find-the-unwillingness-to-hear","status":"publish","type":"post","link":"https:\/\/institutfrancais.ro\/cluj-napoca\/in-this-embrace-of-yours-ill-only-find-the-unwillingness-to-hear\/","title":{"rendered":"In This Embrace of Yours, I\u2019ll Only Find the Unwillingness to Hear"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Simona Tudose<\/h3>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"482\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/09\/studose2-1024x482.jpg\" alt=\"\" class=\"wp-image-7041\" srcset=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/09\/studose2-1024x482.jpg 1024w, https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/09\/studose2-300x141.jpg 300w, https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/09\/studose2-768x362.jpg 768w, https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/09\/studose2-1536x723.jpg 1536w, https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/09\/studose2.jpg 1771w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Curator Xenia Tinca<\/strong><\/p>\n\n\n\n<p>28 septembrie&nbsp;\u2013 13 octombrie, La Cave<br>Vernisaj: 28 septembrie ora 18.00<br>Program de vizitare: luni\u2013vineri, 10\u201317<\/p>\n\n\n\n<p><em>In This Embrace of Yours,<\/em>&nbsp;<em>I\u2019ll Only Find the Unwillingness to Hear<\/em>&nbsp;este un proiect artistic al Simonei Tudose care \u00eencorporeaz\u0103 vizual o perspectiv\u0103 asupra identit\u0103\u021bii feminine contemporane. \u00centr-o perioad\u0103 \u0219i \u00eentr-un context social \u0219i cultural \u00een care tema sau ideea iubirii ajung adesea s\u0103 fie utilizate ca instrumente consumeriste, polaritatea feminin \u2013 masculin ajunge s\u0103 fie tensionat\u0103,&nbsp; iar rela\u021biile stabilite pe axa acestei polarit\u0103\u021bi ajung frecvent s\u0103 fie defectuoase.<\/p>\n\n\n\n<p>Un partener, o familie, iubirea care s\u0103 se \u00eemplineasc\u0103 \u00een rela\u021bie continu\u0103 s\u0103 fie idealuri sau dorin\u021be autentice \u0219i profunde ale individului contemporan. Ele risc\u0103 \u00eens\u0103 s\u0103 fie intangibile, deformate sau deturnate de suprasaturarea contemporan\u0103 a spa\u021biului public, dar inevitabil \u0219i a spa\u021biilor mentale individuale, cu standarde schimb\u0103toare \u0219i arbitrare vehiculate \u00een&nbsp;<em>social media<\/em>, de ideologie politic\u0103, de a\u0219tept\u0103ri sociale sau culturale nerealiste sau sufocante. Pornind de la asemenea realit\u0103\u021bi, lucr\u0103rile Simonei Tudose vorbesc despre partea \u00eentunecat\u0103 a ceea ce se \u00een\u021belege prin iubire, de multe ori \u00een mod bizar sau superficial, despre g\u00e2nduri nespuse \u0219i dorin\u021be cu grij\u0103 ascunse, despre persisten\u021ba stereotipurilor \u0219i prejudec\u0103\u021bilor ce influen\u021beaz\u0103 semnificativ percep\u021biile contemporane asupra identit\u0103\u021bii feminine \u0219i a rolurilor rela\u021bionale ale femeii.<\/p>\n\n\n\n<p>Lucr\u0103rile sale nu sunt \u00eens\u0103 sumbre sau agresive \u0219i se feresc de ilustrarea explicit\u0103 a problemelor sociale \u0219i culturale de felul discrimin\u0103rii de gen, violen\u021bei domestice, agresiunea emo\u021bional\u0103 sau fizic\u0103, toate fiind parte din acea parte \u00eentunecat\u0103 a iubirii deformat \u00een\u021belese \u0219i uneori monstruos invocate. Dimpotriv\u0103, artista folose\u0219te pasteluri \u0219i tonuri neon, suger\u00e2nd astfel, vizual spectaculos, tocmai contrastul dintre suprafa\u021ba aparent str\u0103lucitoare \u0219i substraturile dureroase, dintre avatarurile identitare sclipitoare \u0219i ad\u00e2ncul suferin\u021bei feminine.<\/p>\n\n\n<table>\n<tbody>\n<tr valign=\"top\">\n<td width=\"400px\"><img decoding=\"async\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/09\/portret-studose.jpg\" alt=\"\" width=\"400\" \/><\/td>\n<td width=\"40px\">\u00a0<\/td>\n<td width=\"1160px\">\n<p><strong>Simona Tudose<\/strong>, n\u0103scut\u0103 \u00een 1996, este un artist vizual care locuie\u0219te \u0219i lucreaz\u0103 \u00een Cluj-Napoca, Rom\u00e2nia. \u00cen prezent este student doctorand \u00een cadrul Universit\u0103\u021bii de Art\u0103 \u0219i Design din Cluj-Napoca, de unde a urmat \u0219i nivelul de licen\u021b\u0103 \u0219i masterat \u00een Pictur\u0103.<\/p>\n<p>A expus lucr\u0103ri la Cluj-Napoca, Bucure\u0219ti, Bari, Lecce \u0219i Roma, Italia, iar urm\u0103toarea ei lucrare va fi expus\u0103 la Trbovlje, Slovenia, \u00een cadrul Festivalului de Art\u0103 <em>Speculum Artium<\/em> din 2023, \u00een cadrul c\u0103ruia artista va prezenta prima ei pies\u0103 de art\u0103 participativ\u0103 new-media, \u00eencorpor\u00e2nd astfel \u0219i <em>A.I.-generative art<\/em> \u00een abilit\u0103\u021bile sale.<\/p>\n<p>Cu picturi care descriu ideea de dragoste puternic influen\u021bat\u0103 de <em>mainstream<\/em> \u0219i cultura pop, practica ei artistic\u0103 are drept motiva\u021bie prezentarea multiplelor \u00eencerc\u0103ri confesionale ale individului contemporan \u00eendr\u0103gostit, aspectele negative recent dob\u00e2ndite \u00een universal cuplului \u0219i afi\u0219area unei abord\u0103ri sincere a rela\u021biilor amoroase de ast\u0103zi \u00een fa\u021ba publicului.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>","protected":false},"excerpt":{"rendered":"<p>Simona Tudose Curator Xenia Tinca 28 septembrie&nbsp;\u2013 13 octombrie, La CaveVernisaj: 28 septembrie ora 18.00Program de vizitare: luni\u2013vineri, 10\u201317 In This Embrace of Yours,&nbsp;I\u2019ll Only Find the Unwillingness to Hear&nbsp;este un proiect artistic al Simonei Tudose care \u00eencorporeaz\u0103 vizual o perspectiv\u0103 asupra identit\u0103\u021bii feminine contemporane. \u00centr-o perioad\u0103 \u0219i \u00eentr-un context social \u0219i cultural \u00een care [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":7041,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[148,19],"tags":[],"class_list":["post-7116","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2023-2","category-la-cave"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/7116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/comments?post=7116"}],"version-history":[{"count":1,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/7116\/revisions"}],"predecessor-version":[{"id":7117,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/7116\/revisions\/7117"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media\/7041"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media?parent=7116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/categories?post=7116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/tags?post=7116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}