{"id":7285,"date":"2023-11-01T17:55:58","date_gmt":"2023-11-01T15:55:58","guid":{"rendered":"https:\/\/institutfrancais.ro\/cluj-napoca\/?p=7285"},"modified":"2023-11-27T16:44:41","modified_gmt":"2023-11-27T14:44:41","slug":"poros","status":"publish","type":"post","link":"https:\/\/institutfrancais.ro\/cluj-napoca\/poros\/","title":{"rendered":"P\u00f2ros"},"content":{"rendered":"\n<h3 class=\"has-vivid-cyan-blue-color has-text-color wp-block-heading\">Diana Popu\u021b<br>&nbsp;<\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"482\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/10\/dp_poros-1024x482.jpg\" alt=\"\" class=\"wp-image-7135\" srcset=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/10\/dp_poros-1024x482.jpg 1024w, https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/10\/dp_poros-300x141.jpg 300w, https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/10\/dp_poros-768x362.jpg 768w, https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/10\/dp_poros-1536x723.jpg 1536w, https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/10\/dp_poros.jpg 1771w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>La Cave | 19 octombrie \u2013 3 noiembrie | Vernisaj: 19 octombrie, ora 18 | Program de vizitare: luni\u2013vineri, 10\u201317<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Curator: Xenia Tinca<\/h4>\n\n\n\n<p><em>P\u00f2ros<\/em> este un termen cu r\u0103d\u0103cini etimologice antice \u0219i \u00eencreng\u0103turi semantice bogate \u0219i complexe. \u00cen greaca veche, cuv\u00e2ntul putea s\u0103 \u00eensemne deopotriv\u0103 <em>instrument<\/em> sau <em>str\u0103pungere<\/em>, <em>trecere<\/em> sau <em>resurs\u0103<\/em>, <em>pod<\/em> sau <em>c\u0103l\u0103torie<\/em>. \u00cen mo\u0219tenirea etimologic\u0103 pe care a l\u0103sat-o \u00een multe limbi moderne, polivalen\u021ba sa se manifest\u0103 pregnant. <em>P\u00f2ros <\/em>se poate de asemenea referi la <em>limit\u0103<\/em>, poate circumscrie ideea unei grani\u021be subtile -real\u0103 dar totu\u0219i permeabil\u0103- \u00eentre dou\u0103 dimensiuni ale realit\u0103\u021bii. Astfel, el poate fi un concept central pentru \u00een\u021belegerea modurilor \u00een care lucrurile&nbsp; nev\u0103zute comunic\u0103 \u0219i influen\u021beaz\u0103 domeniul vizibilului. <em>P\u00f2ros \u2013 str\u0103pungerea <\/em>&nbsp;este ceea ce faciliteaz\u0103 conexiunea \u0219i interac\u021biunea dintre cele dou\u0103 lumi. \u00cen aceast\u0103 \u00een\u021belegere, cuv\u00e2ntul sugereaz\u0103 c\u0103 realitatea nu e simpl\u0103, linear\u0103 sau superficial\u0103, ci posed\u0103 dimensiuni profunde, ad\u00e2ncimi ce pot fi explorate \u0219i \u00een\u021belese.<\/p>\n\n\n\n<p><em>P\u00f2ros <\/em>se poate \u00een\u021belege ca <em>resurs\u0103<\/em> \u0219i astfel poate conota ideea de plin\u0103tate creativ\u0103 care st\u0103 la baza \u00eens\u0103\u0219i existen\u021bei universului \u0219i a complexit\u0103\u021bii acestuia. Dintr-o perspectiv\u0103 contemporan\u0103, <em>p\u00f2ros<\/em> poate fi asociat cu poten\u021bialul \u0219i capacitatea creativ\u0103 a individului de a genera \u0219i aduce ceva nou \u00een lume. Se refer\u0103 la capacitatea de a explora \u0219i de descoperi noi idei, solu\u021bii \u0219i abord\u0103ri inovatoare. \u00cen fine, un alt sens relevant al termenului este <em>trecerea, curgerea<\/em>. Put\u00e2nd fi deci asociat cu ideea de mi\u0219care continu\u0103, de permanent\u0103 devenire a realit\u0103\u021bii, el ajunge s\u0103 conoteze natura dinamic\u0103 \u0219i schimb\u0103toare a realit\u0103\u021bii, permanentul ei flux \u0219i bog\u0103\u021bia poten\u021bialului existen\u021bei, mereu capabil de a genera o multitudine de forme.<\/p>\n\n\n\n<p>\u00cen ce prive\u0219te lucr\u0103rile expuse de Diana Popu\u021b, <em>p\u00f2ros <\/em>este conceptul care le une\u0219te pe toate, at\u00e2t din perspectiva sensurilor pe care acestea le \u00eencorporeaz\u0103, c\u00e2t \u0219i din punct de vedere al esteticii vizuale pe care artista o asum\u0103. Cu delicate\u021be \u0219i rafinament, dar \u0219i cu o inconfundabil\u0103 sofisticare, lucr\u0103rile sale utilizeaz\u0103 texturi organice \u0219i poroase, suger\u00e2nd entit\u0103\u021bi care respir\u0103 \u0219i au via\u021b\u0103, \u00een sensul cel mai general (sau generos) al termenului. Sunt adesea realizate din acumul\u0103ri de urme, cu existen\u021b\u0103 aproape imaterial\u0103, din gesturi simple care se traduc \u00een urme repetitive \u0219i ireversibile, \u00een perfor\u0103ri \u0219i cavit\u0103\u021bi form\u00e2nd structuri vizuale ce aduc \u00een discu\u021bie fragilitatea, ca parte a procesului creativ \u0219i inerent\u0103 componentei tehnice a acestuia.<\/p>\n\n\n\n<p>Lucr\u0103rile Dianei Popu\u021b ofer\u0103 ca sens esen\u021bial o con\u0219tientizare a dualit\u0103\u021bii existen\u021bei, a ireversibilit\u0103\u021bii ac\u021biunilor umane \u0219i a faptului c\u0103 \u00eens\u0103\u0219i via\u021ba poate fi conceput\u0103 \u0219i construit\u0103 artistic, c\u0103 poate poseda a anumit\u0103 estetic\u0103 formal\u0103 \u0219i conceptual\u0103. Ca indivizi, suntem cu to\u021bii \u00een paradoxala situa\u021bie de a exista ca puncte \u00een univers \u0219i totu\u0219i capabili s\u0103 manifest\u0103m elemente comune care ne conecteaz\u0103, ne a\u0219az\u0103 \u00een comunicare \u0219i \u00een comuniune, suntem mici \u0219i umile perfor\u0103ri ale suprafe\u021bei realului \u0219i totu\u0219i contribuim unic \u0219i \u00eempreun\u0103 la implauzibila \u0219i fascinanta armonie a \u00eentregului crea\u021biei. &nbsp;<\/p>\n\n\n<table border=\"0\" width=\"900px\" cellspacing=\"10\" cellpadding=\"10\" align=\"left\">\n<tbody>\n<tr valign=\"top\">\n<td width=\"390px\">N\u0103scut\u0103 \u00een Cluj-Napoca, Rom\u00e2nia, \u00een 1994, <strong>Diana Popu\u021b<\/strong> \u0219i-a ob\u021binut licen\u021ba \u00een arte vizuale la Universitatea de Art\u0103 \u0219i Design din Cluj-Napoca.<p><\/p>\n<p>\u00cen 2015 a studiat cu burs\u0103 Erasmus timp de un semestru \u00een Spania, la Universidad de Castilla la Mancha din Cuenca, unde a realizat prima ei instala\u021bie Sine qua non.<\/p>\n<p>\u00cen 2016, beneficiind de aceea\u0219i burs\u0103 la Accademia di Belle Arti di Brera di Milano, a \u00eenceput seria Finestre \u2013 un proiect pe termen lung.<\/p>\n<p>\u00cen 2020 a beneficiat de o mobilitatea de plasament Erasmus la atelierul lui Lauren\u021biu Adrian Craioveanu din Lodi, Italia (\u00een cadrul doctoratului la Universitatea de Art\u0103 \u0219i Design din Cluj-Napoca), unde a \u00eenv\u0103\u021bat noi tehnici de sculptur\u0103 \u0219i a \u00eenceput o serie de lucr\u0103ri \u00een marmur\u0103 folosind materiale aduse de aluviunile r\u00e2ului Adda. \u00cen prezent locuie\u0219te \u0219i lucreaz\u0103 la Cluj \u0219i la Bucure\u0219ti.<\/p>\n<\/td>\n<td width=\"10px\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/td>\n<td width=\"500px\"><img decoding=\"async\" style=\"width: 500px\" src=\"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-content\/uploads\/sites\/3\/2023\/10\/dianapoput.jpg\" alt=\"\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>","protected":false},"excerpt":{"rendered":"<p>Lucr\u0103rile Dianei Popu\u021b ofer\u0103 ca sens esen\u021bial o con\u0219tientizare a dualit\u0103\u021bii existen\u021bei, a ireversibilit\u0103\u021bii ac\u021biunilor umane \u0219i a faptului c\u0103 \u00eens\u0103\u0219i via\u021ba poate fi conceput\u0103 \u0219i construit\u0103 artistic, c\u0103 poate poseda a anumit\u0103 estetic\u0103 formal\u0103 \u0219i conceptual\u0103.<\/p>\n","protected":false},"author":8,"featured_media":7135,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[148,19],"tags":[],"class_list":["post-7285","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2023-2","category-la-cave"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/7285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/comments?post=7285"}],"version-history":[{"count":2,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/7285\/revisions"}],"predecessor-version":[{"id":7290,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/7285\/revisions\/7290"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media\/7135"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media?parent=7285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/categories?post=7285"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/tags?post=7285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}