{"id":8568,"date":"2024-10-21T08:35:45","date_gmt":"2024-10-21T06:35:45","guid":{"rendered":"https:\/\/institutfrancais.ro\/cluj-napoca\/?p=8568"},"modified":"2024-12-18T15:07:49","modified_gmt":"2024-12-18T13:07:49","slug":"ca-simpla-respiratie","status":"publish","type":"post","link":"https:\/\/institutfrancais.ro\/cluj-napoca\/ca-simpla-respiratie\/","title":{"rendered":"Ca simpla respira\u021bie"},"content":{"rendered":"\n

Capitolul 2 din Dispari\u021bii \u00een peisaje<\/strong><\/em><\/h3>\n\n\n\n
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Flaviu Rogojan \u2013 Ana-Maria Deliu<\/h4>\n\n\n\n

Curatoare: Edith L\u00e1z\u00e1r<\/strong><\/p>\n\n\n\n

31 octombrie \u2013 1 decembrie | La Cave | Institutul Francez Cluj-Napoca
Vernisaj joi, 31 octombrie, ora 18
Program de vizitare: luni \u2013 vineri, 10 \u2013 17<\/strong><\/p>\n\n\n\n

\u201eAtunci c\u00e2nd era \u00eenc\u0103 o planet\u0103 t\u00e2n\u0103r\u0103, P\u0103m\u00e2ntul se rotea foarte repede \u2013 at\u00e2t de repede \u00eenc\u00e2t o parte a zburat \u00een spa\u021biu, iar Pacificul este cicatricea l\u0103sat\u0103 \u00een urm\u0103.\u201d \u2013 Julia Armfield, Our Wives Under the Sea<\/em>*<\/p>\n\n\n\n

\u00centinderea Cosmosului \u0219i ad\u00e2ncurile Oceanului constituie o vastitate pe care o putem cartografia doar prin intermediul tehnologiei \u0219i poate de aceea ambele sunt at\u00e2t de \u00eenc\u0103rcate de mister.<\/p>\n\n\n\n

Odat\u0103 ce treci de linia K\u00e1rm\u00e1n, grani\u021ba imaginar\u0103 care desparte P\u0103m\u00e2ntul de spa\u021biul cosmic, atmosfera p\u0103m\u00e2ntului devine tot mai sub\u021bire, oxigenul se rarefiaz\u0103 \u0219i \u00eentunericul cosmosului se revars\u0103. Mai departe totul plute\u0219te, uneori \u00een acord cu for\u021ba de atrac\u021bie a planetelor. Sub nivelul m\u0103rii \u00eens\u0103, dup\u0103 Mesopelagic sau zona de miez-de-nopte, pe m\u0103sur\u0103 ce oxigenul se rarefiaz\u0103 plutirea devine o scufundare, unde greutatea apei o anuleaz\u0103 pe cea a corpurilor. Mai departe, \u00een zonele abisal\u0103 \u0219i hadal\u0103 (dup\u0103 zeul grec al lumii sub-terane) totul se pierde \u2013 nici o c\u0103dere nici vreo levita\u021bie acvatic\u0103, doar o form\u0103 diferit\u0103 de a l\u0103sa dus un corp, corpuri despre care \u0219tim prea pu\u021bine.<\/p>\n\n\n\n

\u00cen \u00eentuneric nu exist\u0103 timp, sau cel pu\u021bin nu \u00een maniera \u00een care l-am percepe \u00een mod obi\u0219nuit. Ordonarea zilei \u0219i a muncii se destram\u0103 f\u0103r\u0103 ajutorul dispozitivelor tehnologice. \u00centr-o istorie a somnului, Eluned Summers-Bremner nota c\u0103 presupunem adesea c\u0103 noaptea \u0219i somnul se potrivesc pentru ceea ce le lipse\u0219te \u2013 lumin\u0103 \u0219i activitate. \u00cens\u0103 ambele au fost \u00eentodeauna un spa\u021biu plin: \u0219i noaptea, \u0219i luna, \u0219i stelele, \u0219i marea \u0219i mareele, toate au propriile lor cicluri \u0219i ritmuri. T\u00e2njim de fapt dup\u0103 uitarea de sine pe care lipsa luminii o poart\u0103.**<\/p>\n\n\n\n

Ce se petrece \u00een ad\u00e2ncurile acestor spa\u021bii inaccesibile? Acolo unde nici un semnal nu ajunge, unde lumina nu p\u0103trunde \u0219i unde timpul \u00eensu\u0219i pare suspendat. Oare se destram\u0103 sim\u021burile? Sau poate, \u00een absen\u021ba familiarului, se transform\u0103 \u00een altceva, \u00eenc\u0103 necunoscut, care ne permite s\u0103 privim altfel grani\u021bele trasate cu at\u00e2ta \u00eenc\u0103p\u0103\u021b\u00e2nare?<\/p>\n\n\n\n

\u00cen imensitatea spa\u021biului cosmic, Flaviu Rogojan relateaz\u0103 c\u0103l\u0103toria unei micu\u021be sonde spa\u021biale trimise pe o orbit\u0103 similar\u0103 cu cea a P\u0103m\u00e2ntului \u00een jurul soarelui, cu care NASA a pierdut leg\u0103tura \u00een 2013. \u00cembin\u00e2nd fic\u021biunea speculativ\u0103 cu date istorice, lucrarea video aduce \u00een discu\u021bie leg\u0103tura dintre observa\u021bia uman\u0103 a corpurilor cere\u0219ti \u0219i istoria colonial\u0103 a instrumentelor de m\u0103surare a timpului, a c\u0103ror linearitate perturb\u0103 ritmurile naturale sau le fr\u00e2nge pe cele care-i difer\u0103. Departe, \u00een ad\u00e2ncul spa\u021biului, dincolo de orice contact, se \u00eentrevede \u00eens\u0103 o nou\u0103 posibilitate de via\u021b\u0103 a sondei spa\u021biale.<\/p>\n\n\n\n

Ana-Maria Deliu descinde treptat \u00een ad\u00e2ncurile unei m\u0103ri primordiale, zon\u0103 dup\u0103 zon\u0103, dincolo de punctul \u00een care lumina dispare \u0219i odat\u0103 cu ea cartografia terestr\u0103. Aceast\u0103 scufundare ia forma unei coregrafii poetice \u0219i intuitive a leg\u0103turilor emo\u021bionale ce reflect\u0103 asupra unei bio-contamin\u0103ri prezente \u00een vie\u021bile noastre. Corpurile umane sunt \u00een mare parte ap\u0103, ap\u0103 \u00een care a r\u0103mas prins\u0103 o parte din ocean, \u0219i unde alte corpuri \u0219i fragmente din trecut continu\u0103 s\u0103 pluteasc\u0103 \u00eentr-o hidro-logic\u0103 a existen\u021bei.<\/p>\n\n\n\n

Uneori plutim, suspenda\u021bi \u00eentr-o stare ce pare s\u0103 se prelungeasc\u0103, ca un echilibru fragil \u2013 o flotabilitate neutr\u0103. Alteori, respir\u0103m \u00een ritmul a tot ce ne \u00eenconjoar\u0103, aproape de marginile unor realit\u0103\u021bi pe care le sim\u021bim f\u0103r\u0103 s\u0103 \u0219tim dac\u0103 le vom accesa vreodat\u0103. De undeva din ad\u00e2ncurile \u00eentunecate, cercet\u0103torii sus\u021bin, pare c\u0103 se produce totu\u0219i oxigen.***<\/p>\n\n\n\n

* \u2018That when the earth was young it rotated very quickly \u2013 it went so fast that part of it flew off into space and the Pacific is the scar it left behind.\u2019 Julia Armfield:\u00a0Our Wives Under the Sea,<\/em>\u00a0Pan Macmillan, 2022
** Eluned Summers-Bremner:\u00a0Insomnia: A Cultural History,<\/em>\u00a0Chicago: University of Chicago Press, 2008.
*** Andrew K. Sweetman\u00a0et al.<\/em>: Evidence of dark oxygen production at the abyssal seafloor,\u00a0Nature Geoscience<\/em>\u00a0vol. 17,\u00a0pp. 737\u2013739 (2024)<\/p>\n\n\n

\n\n\n\n
Ana-Maria Deliu<\/strong>\u00a0exploreaz\u0103 fic\u021biuni speculative, lumi mai-mult-dec\u00e2t-umane \u0219i rela\u021bii ecologice, prin poezie, art\u0103 contemporan\u0103 \u0219i cercetare academic\u0103. Este asistent universitar la Facultatea de Litere \u0219i Arte \u00een Sibiu. A publicat articole cu acces liber, printre care \u201eThoughts on Porous Skins. A Matter of Design\u201d \u00een outofstock.xyz<\/em> (coord. de Edith L\u00e1z\u00e1r), \u0219i \u201eState of the Art: Literary Studies in the Antropocene\u201d \u00een Metacritic Journal for Comparative Studies and Theory<\/em> 2\/2023<\/em>, num\u0103r despre post- \u0219i eco-critic\u0103 coordonat al\u0103turi de Laura Pavel \u0219i Paul Paraschiv. A participat ca research-performer<\/em> la Institutul KW pentru Art\u0103 Contemporan\u0103 din Berlin \u00een timpul Hackathon-ului Black Swan: The Communes<\/em> (2021) \u0219i la Festivalul ConTempo din Kaunas (2022) \u00eentr-un research-performance<\/em> coordonat de Lene Vollhardt \u0219i The Sphere. A f\u0103cut parte din Autumn School of Curating 2022 (Centrul Cultural Clujean \u0219i Art Encounters Foundation). A citit poezie la evenimente precum Discu\u021bia Secret\u0103 (Cluj, 2023) \u0219i Zilele Poeziei la C\u0103rture\u0219ti (Cluj, 2024).<\/td>\n\"\"<\/td>\nFlaviu Rogojan<\/strong>\u00a0este artist \u0219i curator din Cluj. Lucr\u0103rile sale traseaz\u0103 adesea referin\u021be la momente din istoria \u0219tiin\u021bei, a tehnologiei sau a jocurilor video, \u0219i \u00eembin\u0103 aceste nara\u021biuni cu strategii ale artei conceptuale pentru a reflecta poetic asupra rela\u021biilor sociale sau politice ale lumii stratificate \u00een care tr\u0103im. Din pozi\u021bia de curator este interesat \u0219i urm\u0103re\u0219te contexte istorice sau geopolitice pentru a dezvolta proiecte curatoriale site-specific. A expus \u00een contexte na\u021bionale \u0219i interna\u021bionale: Planetario Porto – Institute for Astrophysics and Space Sciences, Akademie Schloss Solitude, Kunstverein Nieder\u00f6sterreich, Bienala Art Encounters Timi\u0219oara, Media Art Festival Arad \u0219i Salonul de Proiecte \u00een Bucure\u0219ti. \u00cen 2022 a fost \u00een reziden\u021b\u0103 artistic\u0103 la Academiei Schloss Solitude (Stuttgart, Germania). Este co-curator al Off Season<\/em> – reziden\u021b\u0103 de cercetare al litoralului albanez, membru al colectivului curatorial Aici Acolo<\/em> \u0219i al unui nou colectiv centrat pe geografii ale deltei – Sharing food, writing recipes and other traveling non-apocalyptic toolkits.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n\n\n

Despre seria de expozi\u021bii Dispari\u021bii \u00een peisaje<\/em><\/strong>
Ce \u00eenseamn\u0103 s\u0103 te pierzi \u00eentr-un peisaj? Ce pove\u0219ti se dezv\u0103luie atunci c\u00e2nd prezen\u021ba uman\u0103 se dizolv\u0103 treptat? Inspirat\u0103 de \u201eDeath by Landscape\u201d a Elviei Wilk \u2013 o colec\u021bie de eseuri despre experien\u021be transformative \u0219i feluri de a povesti complexitatea lumii noastre \u0219i dincolo de centralitatea figurii umane, eseuri pe care curatoarea \u0219i arti\u0219tii invita\u021bi le-au citit \u00eempreun\u0103, seria de expozi\u021bii va propune diferite manifest\u0103ri ale unor dispari\u021bii \u00een peisaje (vanishing into landscapes), <\/em>ca maniere de a reflecta asupra ecosistemelor din care facem deja parte. Prin povestiri speculative despre stranietatea mediilor pe care le locuim, \u00een\u021belegeri diferite a naturii \u0219i fascina\u021bia fa\u021b\u0103 de lumile accesibile doar prin mijloace tehnologice, astfel de peisaje caut\u0103 s\u0103 fac\u0103 loc unor perspective \u00een care umanul \u0219i lumea non-uman\u0103 se \u00eempletesc.<\/p>\n\n\n\n

Parteneri:<\/strong> Domeniile Franco-Rom\u00e2ne \u00b7 \u00cele de France<\/p>\n","protected":false},"excerpt":{"rendered":"

Capitolul 2 din Dispari\u021bii \u00een peisaje Flaviu Rogojan \u2013 Ana-Maria Deliu Curatoare: Edith L\u00e1z\u00e1r 31 octombrie \u2013 1 decembrie | La Cave | Institutul Francez Cluj-NapocaVernisaj joi, 31 octombrie, ora 18Program de vizitare: luni \u2013 vineri, 10 \u2013 17 \u201eAtunci c\u00e2nd era \u00eenc\u0103 o planet\u0103 t\u00e2n\u0103r\u0103, P\u0103m\u00e2ntul se rotea foarte repede \u2013 at\u00e2t de repede \u00eenc\u00e2t o parte […]<\/p>\n","protected":false},"author":8,"featured_media":8558,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[162,19],"tags":[],"class_list":["post-8568","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-162","category-la-cave"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/8568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/comments?post=8568"}],"version-history":[{"count":2,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/8568\/revisions"}],"predecessor-version":[{"id":8792,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/8568\/revisions\/8792"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media\/8558"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media?parent=8568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/categories?post=8568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/tags?post=8568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}