{"id":9577,"date":"2025-10-01T11:19:12","date_gmt":"2025-10-01T09:19:12","guid":{"rendered":"https:\/\/institutfrancais.ro\/cluj-napoca\/?p=9577"},"modified":"2025-11-03T15:50:06","modified_gmt":"2025-11-03T13:50:06","slug":"expozitia-homemade-lemonade","status":"publish","type":"post","link":"https:\/\/institutfrancais.ro\/cluj-napoca\/expozitia-homemade-lemonade\/","title":{"rendered":"Expozi\u021bia Homemade Lemonade"},"content":{"rendered":"\n
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2\u201331 octombrie
vernisaj: 02.10, ora 18.00<\/u><\/strong>
Program de vizitare: luni \u2013 vineri \u00eentre orele 10:00 \u2013 17:00
Noaptea Alb\u0103 a Galeriilor: vineri, 3.10 \u0219i s\u00e2mb\u0103t\u0103, 4.10 \u00eentre orele 18:00 \u2013 21:00<\/p>\n\n\n\n

Arti\u0219ti \u0219i artiste:
Alina Andrei, Clara Caradimu, Taisia Corbu\u021b, Anio Ciutac, \u0141ukasz Horb\u00f3w, Marcus Ionescu, Ioana Rusu, Rebeca Ulici, Milo\u0161 Vu\u010di\u0107evi\u0107<\/strong>
Curatoare: Alexandra Mocan<\/strong><\/p>\n\n\n

Deschidem \u00een spa\u021biul La Cave expozi\u021bia de grup Homemade Lemonade<\/strong>, parte dintr-un program curatoriat de Alexandra Mocan, numit Narrowing Down<\/strong>*.<\/em>

Homemade Lemonade<\/em><\/strong> vorbe\u0219te despre (a)cas\u0103 \u0219i identitate \u2013 dintr-o perspectiv\u0103 nostalgic\u0103 \u0219i privind spa\u021biul intim \u00een care ne form\u0103m. Expozi\u021bia urm\u0103re\u0219te felul \u00een care influen\u021bele familiale \u0219i mediul \u00een care cre\u0219tem se transmit mai departe \u00een via\u021ba noastr\u0103. Aici, casa apare at\u00e2t ca ad\u0103post, c\u00e2t \u0219i ca limitare, ca memorie \u0219i funda\u021bie\u2013un teren din care viitorurile sunt deja, \u00eentr-o anumit\u0103 m\u0103sur\u0103, trasate.

*Narrowing Down<\/strong><\/em> se desf\u0103\u0219oar\u0103 prin trei expozi\u021bii, urm\u0103rind parcursul vie\u021bii pe m\u0103sur\u0103 ce aceasta se scurge treptat.<\/p>\n\n\n

\n\n\n\n

Alina Andrei<\/strong> fotografiaz\u0103 \u0219i scrie de ceva ani. Momentan \u00een Cluj, dar fotografiile sale ar putea fi de oriunde. \u021ain de ea, nu neap\u0103rat de locul unde sunt f\u0103cute. Uneori, c\u00e2nd nu fotografiaz\u0103 oameni reali din carne \u0219i oase, folose\u0219te unii din h\u00e2rtie. \u00ce\u0219i face singur\u0103 personajele (cu creioane\/cret\u0103, foarfec\u0103) \u0219i le fotografiaz\u0103 ca \u0219i cum ar fi oameni vii, cu pove\u0219ti reale. Oameni la fel de adev\u0103ra\u021bi ca cei care trec pe strad\u0103 pe l\u00e2ng\u0103 ea. Public\u0103 multe din aceste imagini \u00een fanzine (edi\u021bii limitate), \u00een regim self-publish. De asemenea, le expune \u00een galerii sau spa\u021bii neconven\u021bionale. Din 2017 este curatoare \u0219i custode la spa\u021biul White Cuib din Cluj. Expozi\u021bii personale: \u201eYou know all these people\u201c (Kutxa Kultur \u2013 Tabakalera, San Sebasti\u00e1n, Spania, 2021) \/ \u201eSHOW & TELL NR. 3\u201c (Arta Non.Stop, Sibiu, 2021) \/\u201eNoaptea din tine\u201c (Centrul Cultural German, Bra\u015fov, 2019) \/ \u201eI\u2019d rather not think about it\u201c (CoPilot, Fabrica de pensule, Cluj, 2018) \/ \u201eSleep at Some\u0219\u201c (Some\u0219 Delivery, Cluj, 2017) \/ \u201eHow to prepare for dictatorship\u201c (C\u0103rture\u015fti , Cluj, 2017) \/ \u201ePeople who talk to themselves\u201c \/ \u201eSOLILOCVIU\u201c (White Cuib, Cluj, 2016) \/ \u201eAutobuzul 17\u201c (Tipografia, Bra\u015fov, 2016).<\/p>\n\n\n\n

Clara Caradimu<\/strong> (n. 2001) este artist\u0103 vizual\u0103 \u0219i poet\u0103 stabilit\u0103 \u00een Bucure\u0219ti. Prin practica ei pictural\u0103 \u0219i poetic\u0103, Clara exploreaz\u0103 comuniunea dintre om \u0219i natur\u0103, inspir\u00e2ndu-se din mecanismele educa\u021biei pre\u0219colare. Coreleaz\u0103 ce \u00eenseamn\u0103 s\u0103 fii om prin imaginarea a ceea ce \u00eenseamn\u0103 s\u0103 fii o frunz\u0103, o ramur\u0103, o pietricic\u0103, o omid\u0103, o b\u0103ltoac\u0103 \u0219i a\u0219a mai departe. Lucr\u0103rile ei propun o schimbare de perspectiv\u0103, \u00een care limitele dintre uman \u0219i non-uman se estompeaz\u0103, iar experien\u021ba sensibil\u0103 devine un mijloc de a interoga apartenen\u021ba \u0219i fragilitatea.<\/p>\n\n\n\n

Taisia Corbu\u021b<\/strong> (n. 1997, Rom\u00e2nia) \u2013 artist\u0103 vizual\u0103, a c\u0103rei practic\u0103 se desf\u0103\u0219oar\u0103 la intersec\u021bia dintre poezie vizual\u0103, explorare material\u0103 \u0219i memorie cultural\u0103. Absolvent\u0103 a Universit\u0103\u021bii de Art\u0103 \u0219i Design din Cluj-Napoca, cu o reziden\u021b\u0103 de studiu la Birmingham City University, Taisia lucreaz\u0103 \u00een instala\u021bie, sculptur\u0103, desen \u0219i mixed media. Lucr\u0103rile ei se contureaz\u0103 adesea prin gesturi stratificate \u0219i precizie conceptual\u0103, reflect\u00e2nd asupra identit\u0103\u021bii, limbajului \u0219i subtilit\u0103\u021bilor politice ale transform\u0103rii.<\/p>\n\n\n\n

Anio Ciutac<\/strong> (n. 1996) este arhitect\u0103, absolvent\u0103 a Universit\u0103\u021bii din Cardiff, interesat\u0103 de integrarea g\u00e2ndirii arhitecturale \u00eentr-un context multidisciplinar. Practica ei artistic\u0103 se concentreaz\u0103 pe spa\u021bii marcate de tensiuni istorice, unde memoria personal\u0103 se \u00eemplete\u0219te cu experien\u021ba colectiv\u0103. Lucr\u0103rile sale folosesc materiale precum betonul, ceara \u0219i gipsul \u2013 materii care conserv\u0103 amprenta procesului de crea\u021bie \u0219i evoc\u0103 fragilitatea memoriei. A expus at\u00e2t proiecte de cercetare, c\u00e2t \u0219i lucr\u0103ri de art\u0103 \u00een Rom\u00e2nia, Marea Britanie, Irlanda \u0219i Republica Moldova. Este una dintre membrele fondatoare ale STOL Collective.<\/p>\n\n\n\n

\u0141ukasz Horb\u00f3w<\/strong> (n. 1995) este artist vizual, a c\u0103rui practic\u0103 se concentreaz\u0103 pe sunet, spa\u021biu \u0219i poezie. Absolvent al Academiei de Arte Frumoase din Var\u0219ovia, lucr\u0103rile sale pornesc dintr-o recunoa\u0219tere tragic\u0103 a condi\u021biei umane, concentr\u00e2ndu-se asupra individului alienat, care devine treptat con\u0219tient de circumstan\u021bele dramatice ale existen\u021bei sale. Artistul se identific\u0103 cu aceast\u0103 figur\u0103, trat\u00e2nd-o ca pe un simbol universal \u2013 \u00eentruchiparea mecanismelor de supravie\u021buire conduse de team\u0103 \u0219i auto-reflec\u021bie. \u00cen practica sa, \u0141ukasz caut\u0103 s\u0103 confrunte \u0219i s\u0103 domesticeasc\u0103 frica, at\u00e2t personal\u0103, c\u00e2t \u0219i colectiv\u0103, explor\u00e2nd-o prin specul\u0103ri ale unor contexte casnice.<\/p>\n\n\n\n

Marcus Ionescu<\/strong> exploreaz\u0103 teme legate de identitate \u015fi memorie. Lucr\u0103rile sale reprezint\u0103 o derulare a complexit\u0103\u021bii emo\u021biilor umane \u015fi ofer\u0103 o perspectiv\u0103 asupra modului \u00een care ne raport\u0103m la propria persoan\u0103, la amintirile care ne definesc \u015fi la contextul cultural \u00een care exist\u0103m. Prin practica sa caut\u0103 o \u00een\u021belegere a leg\u0103turilor ce se creeaz\u0103 \u00eentre experien\u021bele personale \u0219i cele colective prin straturile nev\u0103zute ce modeleaz\u0103 percep\u021bia noastr\u0103 asupra lumii \u015fi a sinelui.<\/p>\n\n\n\n

Ioana Rusu<\/strong> este o artist\u0103 vizual\u0103 din Suceava, care activeaz\u0103 \u00een prezent \u00een Ia\u0219i. Practica sa artistic\u0103 se dezvolt\u0103 la confluen\u021ba dintre experien\u021ba personal\u0103 \u0219i con\u0219tiin\u021ba colectiv\u0103, explor\u00e2nd modul \u00een care aspectele realit\u0103\u021bii subiective se intersecteaz\u0103 \u0219i se reg\u0103sesc \u00een peisajul social mai amplu. Abordarea sa experimental\u0103 \u00ee\u0219i are r\u0103d\u0103cinile \u00een dinamica colajului \u0219i a post-fotografiei, medii care permit fragmentarea \u0219i recontextualizarea elementelor vizuale \u0219i conceptuale. Principiile fundamentale stabilite prin aceste metode r\u0103m\u00e2n constante \u0219i migreaz\u0103 ulterior c\u0103tre medii precum video, instala\u021bie \u0219i polaroid. Artista caut\u0103 s\u0103 \u00een\u021beleag\u0103 mintea uman\u0103 \u2013 cu tot ceea ce implic\u0103 ea: realul \u0219i imaginarul, memoria \u0219i impermanen\u021ba \u2013 ca pe un loc de transformare, o hart\u0103 biografic\u0103 cu straturi multiple ale experien\u021bei umane.<\/p>\n\n\n\n

Rebeca Ulici<\/strong> (n. 2001, Arad) tr\u0103ie\u0219te \u0219i lucreaz\u0103 la Timi\u0219oara. Practica ei se desf\u0103\u0219oar\u0103 la intersec\u021bia dintre sculptur\u0103 \u0219i ceramic\u0103, extins\u0103 prin instala\u021bii, textile \u0219i tehnici experimentale. Lucr\u0103rile sale pornesc adesea din tr\u0103iri personale intense, transformate \u00een obiecte seriale ce evoc\u0103 fragilitatea \u0219i persisten\u021ba memoriei. Proiectele sale recente investigheaz\u0103 raportul dintre corp, pierdere \u0219i procesul de doliu, aduc\u00e2nd la suprafa\u021b\u0103 tensiunea dintre intimitate \u0219i universal. Prin explorarea materialelor fragile \u0219i a ritmului obsesiv al repeti\u021biei, Rebeca chestioneaz\u0103 modul \u00een care vulnerabilitatea poate deveni form\u0103 sculptural\u0103 \u0219i spa\u021biu de consolare.<\/p>\n\n\n\n

Milo\u0161 Vu\u010di\u0107evi\u0107<\/strong> (n. 1991, U\u017eice, Serbia) este unul dintre fondatorii Gallery Reflektor \u2013 U\u017eice \u0219i director al festivalului de art\u0103 contemporan\u0103 Videopark. El lucreaz\u0103 \u00een diverse medii, precum video, performance \u0219i instala\u021bie, abordarea sa artistic\u0103 fiind predominant conectat\u0103 cu paradigmele politice \u0219i sociale existente \u00een societate. Milo\u0161 dezvolt\u0103 concepte care ocup\u0103 un rol central \u00een lucr\u0103rile sale \u0219i le pozi\u021bioneaz\u0103 ca o reflec\u021bie asupra vie\u021bii cotidiene.<\/p>\n\n\n\n

Parteneri: Ile de France \u2022 Domeniile Franco-Rom\u00e2ne<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

2\u201331 octombrievernisaj: 02.10, ora 18.00Program de vizitare: luni \u2013 vineri \u00eentre orele 10:00 \u2013 17:00Noaptea Alb\u0103 a Galeriilor: vineri, 3.10 \u0219i s\u00e2mb\u0103t\u0103, 4.10 \u00eentre orele 18:00 \u2013 21:00 Arti\u0219ti \u0219i artiste:Alina Andrei, Clara Caradimu, Taisia Corbu\u021b, Anio Ciutac, \u0141ukasz Horb\u00f3w, Marcus Ionescu, Ioana Rusu, Rebeca Ulici, Milo\u0161 Vu\u010di\u0107evi\u0107Curatoare: Alexandra Mocan Deschidem \u00een spa\u021biul La Cave expozi\u021bia […]<\/p>\n","protected":false},"author":8,"featured_media":9555,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[173,19],"tags":[],"class_list":["post-9577","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-173","category-la-cave"],"_links":{"self":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/9577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/comments?post=9577"}],"version-history":[{"count":1,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/9577\/revisions"}],"predecessor-version":[{"id":9579,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/posts\/9577\/revisions\/9579"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media\/9555"}],"wp:attachment":[{"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/media?parent=9577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/categories?post=9577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/institutfrancais.ro\/cluj-napoca\/wp-json\/wp\/v2\/tags?post=9577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}